Archive Poster
Archive (2020)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
Archive Revenue (Daily) (with Theater Counts)

Domestic Total: 139.59K

Opening Weekend: 52.64K

Legs: 2.47

Overview: 2038: George Almore is working on a true human-equivalent AI, and his latest prototype is almost ready. This sensitive phase is also the riskiest as he has a goal that must be hidden at all costs—being reunited with his dead wife.


TMDB

6.3

IMDB

6.4

Metacritic

67

RT Tomato

78

RT Popcorn

67

Letterboxd

3.10

Daily Table

DateRevenue% YDTheaters
Fri, Jul 10, 2020$21,412+ 0.00%26
Sat, Jul 11, 2020$20,109 -6.09%26
Sun, Jul 12, 2020$11,121 -44.70%26
Mon, Jul 13, 2020$6,632 -40.37%26
Tue, Jul 14, 2020$7,429+ 12.02%26
Wed, Jul 15, 2020$5,778 -22.22%26
Thu, Jul 16, 2020$7,388+ 27.86%26
Fri, Jul 17, 2020$15,058+ 103.82%18
Sat, Jul 18, 2020$14,604 -3.02%18
Sun, Jul 19, 2020$9,143 -37.39%18
Mon, Jul 20, 2020$4,979 -45.54%18
Tue, Jul 21, 2020$5,978+ 20.06%18
Wed, Jul 22, 2020$4,729 -20.89%18
Thu, Jul 23, 2020$5,233+ 10.66%18
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
The Wandering EarthFeb 5, 2019$48M
MandySep 13, 2018$6M
ColossalApr 6, 2017$0
Napping PrincessMar 18, 2017$0
High LifeSep 26, 2018$9M
Sorry to Bother YouJul 6, 2018$3M
The Bad BatchJun 23, 2017$6M
Midnight SpecialFeb 18, 2016$18M
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Profitability Breakdown

Domestic

Week 1: $79.87K

Investor Share: $47.92K

Week 2: $59.72K

Investor Share: $32.85K

Week 3+: $0.00

Investor Share: $0.00

International

$104.5K (42.81%)

Investor Share: $36.57K

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $244.09K


Net: $117.34K


Costs: $0.00

Profit

Profit: $117.34K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies