Domestic Total: 3.19M
Opening Weekend: 120.23K
Legs: 4.55
Overview: A woman discovers that severe catastrophic events are somehow connected to the mental breakdown from which she's suffering.
| Name | Character |
|---|---|
| Anne Hathaway | Gloria |
| Jason Sudeikis | Oscar |
| Austin Stowell | Joel |
| Tim Blake Nelson | Garth |
| Dan Stevens | Tim |
| Hannah Cheramy | Young Gloria |
| Nathan Ellison | Young Oscar |
| Sarah Surh | Mother |
| Haeun Hannah Cho | Little Girl |
| Joe Costa | Old Man |
| Melissa M. Montgomery | Waitress |
| Christine Lee | Seoul Waitress |
| Rukiya Bernard | Maggie |
| James Yi | Fund Raiser Man |
| Alyssa Dawson | Reporter |
| Miho Suzuki | International News Anchor |
| Charles Singh | Expert #1 |
| Jenny Mitchell | Expert #2 |
| Mad Harper | Reporter #2 |
| Everett Adams | Chubby Boy |
| Agam Darshi | Ash |
| Hettie Lynne Hurtes | News Reporting Consultant |
| Alex Cohen | News Reporting Consultant |
| Steve Julian | News Reporting Consultant |
| Andrew Suttar | Bar Patron (uncredited) |
| Cole Turner | Boy Walking By Playground (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Swiss Army Man | Jun 24, 2016 | $3M |
| Midnight Special | Feb 18, 2016 | $18M |
| The Monster | Nov 11, 2016 | $3M |
| Touched with Fire | Feb 12, 2016 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| Z for Zachariah | Aug 13, 2015 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Stonewall | Sep 18, 2015 | $14M |
Week 1: $153.47K
Week 2: $619.63K
Investor Share: $340.8K
Week 3+: $2.42M
Investor Share: $1.21M
$1.27M (28.46%)
Investor Share: $444.79K
Budget: $N/A
P&A: $N/A
Gross: $4.47M
Net: $2.09M
Costs: $0.00
Profit: $2.09M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.