All the Money in the World Poster
All the Money in the World (2017)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
All the Money in the World Revenue (Daily) (with Theater Counts)

Domestic Total: 25.05M

Opening Weekend: 5.58M

Legs: 3.91

Overview: The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.


TMDB

6.5

IMDB

6.8

Metacritic

72

RT Tomato

79

RT Popcorn

65

Letterboxd

3.20

Daily Table

DateRevenue% YDTheaters
Mon, Dec 25, 2017$2,565,393+ 0.00%2074
Tue, Dec 26, 2017$1,760,324 -31.38%2074
Wed, Dec 27, 2017$1,412,867 -19.74%2074
Thu, Dec 28, 2017$1,389,112 -1.68%2074
Fri, Dec 29, 2017$1,760,942+ 26.77%2074
Sat, Dec 30, 2017$2,074,087+ 17.78%2074
Sun, Dec 31, 2017$1,749,655 -15.64%2074
Mon, Jan 1, 2018$1,630,252 -6.82%2074
Tue, Jan 2, 2018$940,736 -42.30%2074
Wed, Jan 3, 2018$703,807 -25.19%2074
Thu, Jan 4, 2018$594,734 -15.50%2074
Fri, Jan 5, 2018$1,046,045+ 75.88%2123
Sat, Jan 6, 2018$1,563,567+ 49.47%2123
Sun, Jan 7, 2018$961,614 -38.50%2123
Mon, Jan 8, 2018$322,318 -66.48%2123
Tue, Jan 9, 2018$550,392+ 70.76%2123
Wed, Jan 10, 2018$453,172 -17.66%2123
Thu, Jan 11, 2018$347,043 -23.42%2123
Fri, Jan 12, 2018$340,364 -1.92%1408
Sat, Jan 13, 2018$488,257+ 43.45%1408
Sun, Jan 14, 2018$395,372 -19.02%1408
Mon, Jan 15, 2018$260,814 -34.03%1408
Tue, Jan 16, 2018$158,181 -39.35%1408
Wed, Jan 17, 2018$131,694 -16.74%1408
Thu, Jan 18, 2018$128,349 -2.54%1408
Fri, Jan 19, 2018$114,045 -11.14%374
Sat, Jan 20, 2018$173,360+ 52.01%374
Sun, Jan 21, 2018$90,483 -47.81%374
Mon, Jan 22, 2018$39,314 -56.55%374
Tue, Jan 23, 2018$60,092+ 52.85%374
Wed, Jan 24, 2018$50,491 -15.98%374
Thu, Jan 25, 2018$49,031 -2.89%374
Fri, Jan 26, 2018$60,041+ 22.46%227
Sat, Jan 27, 2018$98,644+ 64.29%227
Sun, Jan 28, 2018$66,104 -32.99%227
Mon, Jan 29, 2018$23,608 -64.29%227
Tue, Jan 30, 2018$27,394+ 16.04%227
Wed, Jan 31, 2018$24,807 -9.44%227
Thu, Feb 1, 2018$23,950 -3.45%227
Fri, Feb 2, 2018$37,982+ 58.59%154
Sat, Feb 3, 2018$65,717+ 73.02%154
Sun, Feb 4, 2018$23,191 -64.71%154
Mon, Feb 5, 2018$15,843 -31.68%154
Tue, Feb 6, 2018$21,120+ 33.31%154
Wed, Feb 7, 2018$16,203 -23.28%154
Thu, Feb 8, 2018$15,933 -1.67%154
Fri, Feb 9, 2018$14,109 -11.45%63
Sat, Feb 10, 2018$25,257+ 79.01%63
Sun, Feb 11, 2018$19,409 -23.15%63
Mon, Feb 12, 2018$8,352 -56.97%63
Tue, Feb 13, 2018$8,910+ 6.68%63
Wed, Feb 14, 2018$9,019+ 1.22%63
Thu, Feb 15, 2018$7,074 -21.57%63
Fri, Feb 16, 2018$8,670+ 22.56%37
Sat, Feb 17, 2018$15,506+ 78.85%37
Sun, Feb 18, 2018$13,563 -12.53%37
Mon, Feb 19, 2018$9,347 -31.08%37
Fri, Feb 23, 2018$6,028 -35.51%30
Sat, Feb 24, 2018$11,678+ 93.73%30
Sun, Feb 25, 2018$8,031 -31.23%30
Fri, Mar 2, 2018$3,603 -55.14%18
Sat, Mar 3, 2018$7,839+ 117.57%18
Sun, Mar 4, 2018$3,025 -61.41%18
Fri, Mar 9, 2018$8,615+ 184.79%49
Sat, Mar 10, 2018$13,759+ 59.71%49
Sun, Mar 11, 2018$9,057 -34.17%49
Fri, Mar 16, 2018$2,911 -67.86%27
Sat, Mar 17, 2018$4,182+ 43.66%27
Sun, Mar 18, 2018$3,769 -9.88%27
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
CaptiveSep 17, 2015$2M
The Girl on the TrainOct 5, 2016$45M
War DogsAug 18, 2016$50M
Triple 9Feb 19, 2016$20M
Money MonsterMay 12, 2016$27M
Black MassSep 17, 2015$53M
13 Hours: The Secret Soldiers of BenghaziJan 14, 2016$50M
The InfiltratorJul 13, 2016$28M
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Profitability Breakdown

Domestic

Week 1: $12.71M

Investor Share: $7.63M

Week 2: $7.44M

Investor Share: $4.09M

Week 3+: $4.9M

Investor Share: $2.45M

International

$31.78M (55.93%)

Investor Share: $11.12M

Costs

Budget: $50M


P&A: $50M

Breakdown

Gross: $56.83M


Net: $25.29M


Costs: $100M

Profit

Profit: $-74.71M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies