Domestic Total: 7M
Opening Weekend: 6.46M
Legs: 1.08
Overview: A former soldier is thrown into a brutal race against time when a critical medical delivery makes him and his unlikely partner the targets of a ruthless cartel. As the mission spirals into a deadly manhunt, every detour, delay, and bullet pushes them closer to failure. With betrayal closing in from every side, they must survive the chase and deliver their cargo to save the life of a little girl.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 11, 2026 | $2,578,621 | + 0.00% | 2568 |
| Sat, Sep 12, 2026 | $2,323,154 | -9.91% | 2568 |
| Sun, Sep 13, 2026 | $1,560,515 | -32.83% | 2568 |
| Mon, Sep 14, 2026 | $539,684 | -65.42% | 2568 |
| Name | Character |
|---|---|
| Alan Ritchson | Hank Malone |
| Owen Wilson | Ben |
| Rodrigo Santoro | Damian |
| Leila George | Kate |
| Adriana Barraza | Donna |
| Peta Sergeant | Julie |
| Scarlett Crabtree | Ellie Baker |
| Geraldine Hakewill | Monica |
| Goran D. Kleut | Luke |
| Adam Fraser | Passerby / Runner |
| Sabelle Morrow-Woods | Passerby |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Over Your Dead Body | Apr 24, 2026 | $0 |
| Money Monster | May 12, 2016 | $27M |
| Argylle | Jan 31, 2024 | $200M |
| Now You See Me 2 | Jun 2, 2016 | $120M |
| The 355 | Jan 5, 2022 | $75M |
| Breaking In | May 5, 2018 | $6M |
| The Hurricane Heist | Feb 28, 2018 | $35M |
| Honest Thief | Sep 3, 2020 | $0 |
Week 1: $7M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$35.73K (0.51%)
Investor Share: $12.51K
Budget: $N/A
P&A: $N/A
Gross: $7.04M
Net: $4.21M
Costs: $0.00
Profit: $4.21M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.