Movie Information
Domestic Total: 2.06M
Opening Weekend: 1.39M
Legs: 1.47
Overview: A dysfunctional couple head to a remote cabin to "reconnect", but each has secret intentions to kill the other.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 24, 2026 | $703,883 | + 0.00% | 1550 |
| Sat, Apr 25, 2026 | $424,073 | -39.75% | 1550 |
| Sun, Apr 26, 2026 | $265,400 | -37.42% | 1550 |
| Mon, Apr 27, 2026 | $129,608 | -51.17% | 1550 |
| Tue, Apr 28, 2026 | $178,294 | + 37.56% | 1550 |
| Wed, Apr 29, 2026 | $128,294 | -28.04% | 1550 |
| Thu, Apr 30, 2026 | $66,248 | -48.36% | 1550 |
| Fri, May 1, 2026 | $47,709 | -27.98% | 650 |
| Sat, May 2, 2026 | $70,390 | + 47.54% | 650 |
| Sun, May 3, 2026 | $41,232 | -41.42% | 650 |
Cast
| Name | Character |
|---|---|
| Jason Segel | Dan |
| Samara Weaving | Lisa |
| Timothy Olyphant | Pete |
| Juliette Lewis | Allegra |
| Paul Guilfoyle | Michael |
| Keith Jardine | Todd |
| Kayla Jenee Radomski | Renée |
| Nikolai Kinski | Frank |
| Jake Curran | Henry |
| Robert Goodman | Carl Marshall |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| No Escape | Aug 26, 2015 | $5M |
| Kidnap | Aug 3, 2017 | $21M |
| Triple 9 | Feb 19, 2016 | $20M |
| London Has Fallen | Mar 2, 2016 | $60M |
| Violent Night | Nov 30, 2022 | $20M |
| Nobody | Mar 18, 2021 | $17M |
| Nobody 2 | Aug 13, 2025 | $25M |
| Money Monster | May 12, 2016 | $27M |
Profitability Breakdown
Domestic
Week 1: $1.9M
Week 2: $159.33K
Investor Share: $87.63K
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $2.06M
Net: $1.23M
Costs: $0.00
Profit
Profit: $1.23M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
