The 15:17 to Paris Poster
The 15:17 to Paris (2018)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
The 15:17 to Paris Revenue (Daily) (with Theater Counts)

Domestic Total: 36.25M

Opening Weekend: 12.55M

Legs: 2.89

Overview: On Aug. 21, 2015, the world watches in stunned silence as the media reports a thwarted terrorist attack on a train that's bound for Paris -- an attempt prevented by three young Americans traveling together through Europe. The heroic and courageous actions of Anthony Sadler, Alek Skarlatos and Spencer Stone help to save the lives of more than 500 passengers on board.


TMDB

5.4

IMDB

5.3

Metacritic

45

RT Tomato

24

RT Popcorn

37

Letterboxd

2.21

Daily Table

DateRevenue% YDTheaters
Fri, Feb 9, 2018$3,736,369+ 0.00%3042
Sat, Feb 10, 2018$5,436,962+ 45.51%3042
Sun, Feb 11, 2018$3,380,955 -37.82%3042
Mon, Feb 12, 2018$1,078,247 -68.11%3042
Tue, Feb 13, 2018$1,517,713+ 40.76%3042
Wed, Feb 14, 2018$1,702,360+ 12.17%3042
Thu, Feb 15, 2018$895,111 -47.42%3042
Fri, Feb 16, 2018$2,067,415+ 130.97%3042
Sat, Feb 17, 2018$3,183,971+ 54.01%3042
Sun, Feb 18, 2018$2,334,629 -26.68%3042
Mon, Feb 19, 2018$1,337,091 -42.73%3042
Tue, Feb 20, 2018$882,343 -34.01%3042
Wed, Feb 21, 2018$578,402 -34.45%3042
Thu, Feb 22, 2018$526,184 -9.03%3042
Fri, Feb 23, 2018$996,216+ 89.33%2752
Sat, Feb 24, 2018$1,620,852+ 62.70%2752
Sun, Feb 25, 2018$956,191 -41.01%2752
Mon, Feb 26, 2018$295,032 -69.15%2752
Tue, Feb 27, 2018$451,057+ 52.88%2752
Wed, Feb 28, 2018$306,174 -32.12%2752
Thu, Mar 1, 2018$264,942 -13.47%2752
Fri, Mar 2, 2018$402,221+ 51.81%1803
Sat, Mar 3, 2018$654,782+ 62.79%1803
Sun, Mar 4, 2018$356,752 -45.52%1803
Mon, Mar 5, 2018$120,863 -66.12%1803
Tue, Mar 6, 2018$174,428+ 44.32%1803
Wed, Mar 7, 2018$141,030 -19.15%1803
Thu, Mar 8, 2018$110,093 -21.94%1803
Fri, Mar 9, 2018$77,085 -29.98%420
Sat, Mar 10, 2018$111,275+ 44.35%420
Sun, Mar 11, 2018$76,130 -31.58%420
Mon, Mar 12, 2018$32,251 -57.64%420
Tue, Mar 13, 2018$32,835+ 1.81%420
Wed, Mar 14, 2018$23,897 -27.22%420
Thu, Mar 15, 2018$21,032 -11.99%420
Fri, Mar 16, 2018$23,188+ 10.25%155
Sat, Mar 17, 2018$31,310+ 35.03%155
Sun, Mar 18, 2018$21,090 -32.64%155
Mon, Mar 19, 2018$9,532 -54.80%155
Tue, Mar 20, 2018$12,198+ 27.97%155
Wed, Mar 21, 2018$10,356 -15.10%155
Thu, Mar 22, 2018$9,458 -8.67%155
Fri, Mar 23, 2018$22,823+ 141.31%146
Sat, Mar 24, 2018$33,674+ 47.54%146
Sun, Mar 25, 2018$23,667 -29.72%146
Mon, Mar 26, 2018$8,842 -62.64%146
Tue, Mar 27, 2018$11,488+ 29.93%146
Wed, Mar 28, 2018$8,802 -23.38%146
Thu, Mar 29, 2018$11,562+ 31.36%146
Fri, Mar 30, 2018$20,578+ 77.98%108
Sat, Mar 31, 2018$21,257+ 3.30%108
Sun, Apr 1, 2018$12,258 -42.33%108
Mon, Apr 2, 2018$5,617 -54.18%108
Tue, Apr 3, 2018$7,295+ 29.87%108
Wed, Apr 4, 2018$5,913 -18.94%108
Thu, Apr 5, 2018$6,398+ 8.20%108
Fri, Apr 6, 2018$10,563+ 65.10%81
Sat, Apr 7, 2018$17,435+ 65.06%81
Sun, Apr 8, 2018$9,796 -43.81%81
Mon, Apr 9, 2018$3,046 -68.91%81
Tue, Apr 10, 2018$3,682+ 20.88%81
Wed, Apr 11, 2018$2,908 -21.02%81
Thu, Apr 12, 2018$3,331+ 14.55%81
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Miracles from HeavenMar 17, 2016$16M
90 Minutes in HeavenSep 11, 2015$5M
Black MassSep 17, 2015$53M
Thank You for Your ServiceOct 26, 2017$20M
WonderNov 13, 2017$20M
The 33Aug 6, 2015$25M
ConcussionNov 12, 2015$35M
CaptiveSep 17, 2015$2M
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Profitability Breakdown

Domestic

Week 1: $17.75M

Investor Share: $10.65M

Week 2: $10.91M

Investor Share: $6M

Week 3+: $7.59M

Investor Share: $3.8M

International

$19.82M (35.35%)

Investor Share: $6.94M

Costs

Budget: $30M


P&A: $30M

Breakdown

Gross: $56.07M


Net: $27.38M


Costs: $60M

Profit

Profit: $-32.62M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies