Movie Information
Domestic Total: 26.44M
Opening Weekend: 12.31M
Legs: 2.15
Overview: A group of contest winners arrive at an island hotel to live out their dreams, only to find themselves trapped in nightmare scenarios.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 14, 2020 | $5,410,273 | + 0.00% | 2784 |
| Sat, Feb 15, 2020 | $4,104,353 | -24.14% | 2784 |
| Sun, Feb 16, 2020 | $2,795,794 | -31.88% | 2784 |
| Mon, Feb 17, 2020 | $1,444,098 | -48.35% | 2784 |
| Tue, Feb 18, 2020 | $1,056,405 | -26.85% | 2784 |
| Wed, Feb 19, 2020 | $613,013 | -41.97% | 2784 |
| Thu, Feb 20, 2020 | $563,134 | -8.14% | 2784 |
| Fri, Feb 21, 2020 | $1,262,331 | + 124.16% | 2784 |
| Sat, Feb 22, 2020 | $1,896,170 | + 50.21% | 2784 |
| Sun, Feb 23, 2020 | $1,111,978 | -41.36% | 2784 |
| Mon, Feb 24, 2020 | $326,649 | -70.62% | 2784 |
| Tue, Feb 25, 2020 | $540,515 | + 65.47% | 2784 |
| Wed, Feb 26, 2020 | $330,692 | -38.82% | 2784 |
| Thu, Feb 27, 2020 | $274,248 | -17.07% | 2784 |
| Fri, Feb 28, 2020 | $647,383 | + 136.06% | 2724 |
| Sat, Feb 29, 2020 | $1,067,860 | + 64.95% | 2724 |
| Sun, Mar 1, 2020 | $611,135 | -42.77% | 2724 |
| Mon, Mar 2, 2020 | $190,365 | -68.85% | 2724 |
| Tue, Mar 3, 2020 | $304,150 | + 59.77% | 2724 |
| Wed, Mar 4, 2020 | $200,294 | -34.15% | 2724 |
| Thu, Mar 5, 2020 | $180,057 | -10.10% | 2724 |
| Fri, Mar 6, 2020 | $252,114 | + 40.02% | 1362 |
| Sat, Mar 7, 2020 | $404,731 | + 60.53% | 1362 |
| Sun, Mar 8, 2020 | $213,855 | -47.16% | 1362 |
| Mon, Mar 9, 2020 | $92,327 | -56.83% | 1362 |
| Tue, Mar 10, 2020 | $133,196 | + 44.27% | 1362 |
| Wed, Mar 11, 2020 | $97,945 | -26.47% | 1362 |
| Thu, Mar 12, 2020 | $56,114 | -42.71% | 1362 |
| Fri, Mar 13, 2020 | $65,460 | + 16.66% | 515 |
| Sat, Mar 14, 2020 | $98,149 | + 49.94% | 515 |
| Sun, Mar 15, 2020 | $55,830 | -43.12% | 515 |
| Mon, Mar 16, 2020 | $21,884 | -60.80% | 515 |
| Tue, Mar 17, 2020 | $9,015 | -58.81% | 515 |
| Wed, Mar 18, 2020 | $5,532 | -38.64% | 515 |
| Thu, Mar 19, 2020 | $4,733 | -14.44% | 515 |
Cast
| Name | Character |
|---|---|
| Michael Peña | Mr. Roarke |
| Maggie Q | Gwen Olsen |
| Lucy Hale | Melanie Cole |
| Michael Rooker | Damon |
| Austin Stowell | Patrick Sullivan |
| Jimmy O. Yang | Brax Weaver |
| Portia Doubleday | Sloane Maddison |
| Charlotte McKinney | Chastity |
| Ryan Hansen | J. D. Weaver |
| Mike Vogel | Lieutenant Sullivan |
| Parisa Fitz-Henley | Julia |
| Kim Coates | Devil Face |
| Robbie Jones | Allen Chambers |
| Jeriya Benn | Lila Chambers |
| Josh McConville | Sarge |
| Tane Williams-Accra | Fischer |
| Edmund Lembke-Hogan | Himoff |
| Ian Roberts | Dr. Torture |
| Evan Evagora | Nick Taylor |
| Goran D. Kleut | Valet Milton |
| Josh Randall | Valet Chester |
| Joshua Diaz | Alejandro |
| Andrew Lees | Will |
| Nick Slater | Greg |
| Steven A. Davis | Bearded Spec Ops (uncredited) |
| Renée Murden | Panic Room Posse (uncredited) |
| Mark Weinhandl | Pig Face (uncredited) |
| Tim Wong | Spec Ops Lumen (uncredited) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Visit | Sep 10, 2015 | $5M |
| Happy Death Day | Oct 12, 2017 | $5M |
| Escape Room | Jan 3, 2019 | $9M |
| Black Christmas | Dec 11, 2019 | $5M |
| Scary Stories to Tell in the Dark | Aug 8, 2019 | $25M |
| Krampus | Nov 26, 2015 | $15M |
| Phoenix Forgotten | Apr 21, 2017 | $3M |
| The Boy | Jan 22, 2016 | $10M |
Profitability Breakdown
Domestic
Week 1: $15.99M
Week 2: $5.74M
Investor Share: $3.16M
Week 3+: $4.71M
Investor Share: $2.36M
International
$22.08M (45.50%)
Investor Share: $7.73M
Costs
Budget: $7M
P&A: $7M
Breakdown
Gross: $48.52M
Net: $22.83M
Costs: $14M
Profit
Profit: $8.83M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
