Nirvanna the Band the Show the Movie Poster
Nirvanna the Band the Show the Movie (2026)
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Nirvanna the Band the Show the Movie Revenue (Daily) (with Theater Counts)

Domestic Total: 3.1M

Opening Weekend: 1.26M

Legs: 2.46

Overview: When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.


TMDB

8.0

IMDB

8.4

Metacritic

78

RT Tomato

98

RT Popcorn

95

Daily Table

DateRevenue% YDTheaters
Fri, Feb 13, 2026$725,048+ 0.00%365
Sat, Feb 14, 2026$274,728 -62.11%365
Sun, Feb 15, 2026$256,113 -6.78%365
Mon, Feb 16, 2026$204,461 -20.17%365
Tue, Feb 17, 2026$145,167 -29.00%365
Wed, Feb 18, 2026$135,719 -6.51%365
Thu, Feb 19, 2026$111,290 -18.00%365
Fri, Feb 20, 2026$152,352+ 36.90%384
Sat, Feb 21, 2026$242,240+ 59.00%384
Sun, Feb 22, 2026$169,568 -30.00%384
Mon, Feb 23, 2026$67,026 -60.47%384
Tue, Feb 24, 2026$97,858+ 46.00%384
Wed, Feb 25, 2026$95,901 -2.00%384
Thu, Feb 26, 2026$70,008 -27.00%384
Fri, Feb 27, 2026$95,681+ 36.67%191
Sat, Feb 28, 2026$141,608+ 48.00%191
Sun, Mar 1, 2026$110,454 -22.00%191
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
The Art of Self-DefenseJul 12, 2019$2M
ProblemistaMar 1, 2024$12M
Love and MonstersOct 16, 2020$30M
Sorry to Bother YouJul 6, 2018$3M
Absolutely Fabulous: The MovieJul 1, 2016$0
Save Yourselves!Oct 2, 2020$0
I'm Your ManJul 1, 2021$0
How to Talk to Girls at PartiesOct 6, 2017$0
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Profitability Breakdown

Domestic

Week 1: $1.85M

Investor Share: $1.11M

Week 2: $894.95K

Investor Share: $492.22K

Week 3+: $347.74K

Investor Share: $173.87K

International

$140.87K (4.35%)

Investor Share: $49.31K

Costs

Budget: $2M


P&A: $2M

Breakdown

Gross: $3.24M


Net: $1.83M


Costs: $4M

Profit

Profit: $-2.17M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies