Domestic Total: 1.07M
Opening Weekend: 270.3K
Legs: 3.44
Overview: Seven years since the Monsterpocalypse began, Joel Dawson has been living underground in order to survive. But after reconnecting over radio with his high school girlfriend Aimee, Joel decides to venture out to reunite with her, despite all the dangerous monsters that stand in his way.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 16, 2020 | $90,216 | + 0.00% | 387 |
| Sat, Oct 17, 2020 | $120,062 | + 33.08% | 387 |
| Sun, Oct 18, 2020 | $60,024 | -50.01% | 387 |
| Mon, Oct 19, 2020 | $20,802 | -65.34% | 387 |
| Tue, Oct 20, 2020 | $26,423 | + 27.02% | 387 |
| Wed, Oct 21, 2020 | $21,312 | -19.34% | 387 |
| Thu, Oct 22, 2020 | $23,436 | + 9.97% | 387 |
| Fri, Oct 23, 2020 | $68,564 | + 192.56% | 380 |
| Sat, Oct 24, 2020 | $100,859 | + 47.10% | 380 |
| Sun, Oct 25, 2020 | $47,380 | -53.02% | 380 |
| Mon, Oct 26, 2020 | $14,886 | -68.58% | 380 |
| Tue, Oct 27, 2020 | $15,433 | + 3.67% | 380 |
| Wed, Oct 28, 2020 | $17,009 | + 10.21% | 380 |
| Thu, Oct 29, 2020 | $19,192 | + 12.83% | 380 |
| Fri, Oct 30, 2020 | $42,052 | + 119.11% | 248 |
| Sat, Oct 31, 2020 | $52,555 | + 24.98% | 248 |
| Sun, Nov 1, 2020 | $33,087 | -37.04% | 248 |
| Mon, Nov 2, 2020 | $10,911 | -67.02% | 248 |
| Tue, Nov 3, 2020 | $12,766 | + 17.00% | 248 |
| Wed, Nov 4, 2020 | $12,008 | -5.94% | 248 |
| Thu, Nov 5, 2020 | $11,174 | -6.95% | 248 |
| Fri, Nov 6, 2020 | $34,064 | + 204.85% | 177 |
| Sat, Nov 7, 2020 | $48,896 | + 43.54% | 177 |
| Sun, Nov 8, 2020 | $24,714 | -49.46% | 177 |
| Mon, Nov 9, 2020 | $8,761 | -64.55% | 177 |
| Tue, Nov 10, 2020 | $12,987 | + 48.24% | 177 |
| Wed, Nov 11, 2020 | $13,005 | + 0.14% | 177 |
| Thu, Nov 12, 2020 | $9,007 | -30.74% | 177 |
| Fri, Nov 13, 2020 | $24,928 | + 176.76% | 129 |
| Sat, Nov 14, 2020 | $36,360 | + 45.86% | 129 |
| Sun, Nov 15, 2020 | $15,640 | -56.99% | 129 |
| Mon, Nov 16, 2020 | $5,187 | -66.84% | 129 |
| Tue, Nov 17, 2020 | $6,795 | + 31.00% | 129 |
| Wed, Nov 18, 2020 | $5,577 | -17.92% | 129 |
| Thu, Nov 19, 2020 | $4,642 | -16.77% | 129 |
| Name | Character |
|---|---|
| Dylan O'Brien | Joel Dawson |
| Jessica Henwick | Aimee |
| Michael Rooker | Clyde |
| Dan Ewing | Cap |
| Ariana Greenblatt | Minnow |
| Ellen Hollman | Dana |
| Tre Hale | Rocko |
| Pacharo Mzembe | Ray |
| Senie Priti | Karen |
| Amali Golden | Ava |
| Te Kohe Tuhaka | Tim |
| Tasneem Roc | Anna Lucia |
| Thomas Campbell | Anderson |
| Joel Pierce | Connor |
| Melanie Zanetti | Kala / Voice of Mav1s |
| Bruce Spence | Old Pete |
| Hazel Phillips | Janice |
| Miriama Smith | Maya |
| Andrew Buchanan | Joel's Father |
| Tandi Wright | Joel's Mother |
| Damien Garvey | Bill |
| Julia Johnson | Betty |
| Ariu Lang Sio | Roberto |
| Donnie Baxter | Parker |
| Helen Howard | Rose |
| Larry Cedar | Elderly Colonist (uncredited) |
| Tonia Renee Hammerich | Escapee (uncredited) |
| Keiichi Enomoto | Escaping Camper (uncredited) |
| Braden Lewis | Escapee |
| Hero | Boy |
| Dodge | Boy |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Wandering Earth | Feb 5, 2019 | $48M |
| Possessor | Oct 2, 2020 | $3M |
| April and the Extraordinary World | Nov 4, 2015 | $10M |
| Mandy | Sep 13, 2018 | $6M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Johnny English Strikes Again | Sep 13, 2018 | $25M |
| Sorry to Bother You | Jul 6, 2018 | $3M |
| Midnight Special | Feb 18, 2016 | $18M |
Week 1: $362.27K
Week 2: $283.32K
Investor Share: $155.83K
Week 3+: $425.12K
Investor Share: $212.56K
$60.97K (5.39%)
Investor Share: $21.34K
Budget: $30M
P&A: $30M
Gross: $1.13M
Net: $607.09K
Costs: $60M
Profit: $-59.39M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.