Collide Poster
Collide (2016)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
Collide Revenue (Daily) (with Theater Counts)

Domestic Total: 2.28M

Opening Weekend: 1.51M

Legs: 1.51

Overview: An American backpacker gets involved with a ring of drug smugglers as their driver, and winds up on the run from his employers across Cologne’s autobahns.


TMDB

5.5

IMDB

5.7

Metacritic

33

Letterboxd

2.41

Daily Table

DateRevenue% YDTheaters
Fri, Feb 24, 2017$539,072+ 0.00%2045
Sat, Feb 25, 2017$626,324+ 16.19%2045
Sun, Feb 26, 2017$347,428 -44.53%2045
Mon, Feb 27, 2017$121,600 -65.00%2045
Tue, Feb 28, 2017$187,264+ 54.00%2045
Wed, Mar 1, 2017$119,849 -36.00%2045
Thu, Mar 2, 2017$81,497 -32.00%2045
Fri, Mar 3, 2017$51,973 -36.23%1002
Sat, Mar 4, 2017$86,275+ 66.00%1002
Sun, Mar 5, 2017$35,372 -59.00%1002
Mon, Mar 6, 2017$20,869 -41.00%1002
Tue, Mar 7, 2017$23,373+ 12.00%1002
Wed, Mar 8, 2017$20,802 -11.00%1002
Thu, Mar 9, 2017$18,306 -12.00%1002
Loading weekend data...

Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Fantastic FourAug 5, 2015$120M
No EscapeAug 26, 2015$5M
AlliedFeb 12, 2016$106M
Bridge of SpiesOct 15, 2015$40M
Hitman: Agent 47Aug 20, 2015$35M
Now You See Me 2Jun 2, 2016$120M
The Transporter RefueledSep 2, 2015$25M
Point BreakDec 3, 2015$105M
Loading percent ranks...

Profitability Breakdown

Domestic

Week 1: $2.02M

Investor Share: $1.21M

Week 2: $256.97K

Investor Share: $141.33K

Week 3+: $0.00

Investor Share: $0.00

International

$3.19M (58.29%)

Investor Share: $1.12M

Costs

Budget: $22M


P&A: $22M

Breakdown

Gross: $5.47M


Net: $2.47M


Costs: $43M

Profit

Profit: $-40.53M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies