Domestic Total: 12.1M
Opening Weekend: 9.42M
Legs: 1.28
Overview: As America’s fight for independence begins, a young drummer boy, an enslaved woman, and a divided family each search for freedom in a world built to deny it. With music carrying hope through battle and loss, Drummer Boy turns the Revolution into a deeply human story of faith, forgiveness, and the belief that no person is born to live in chains or be forgotten.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 6, 2026 | $3,533,127 | + 0.00% | 2850 |
| Sat, Nov 7, 2026 | $3,029,424 | -14.26% | 2850 |
| Sun, Nov 8, 2026 | $2,859,292 | -5.62% | 2850 |
| Mon, Nov 9, 2026 | $706,856 | -75.28% | 2850 |
| Tue, Nov 10, 2026 | $1,020,360 | + 44.35% | 2850 |
| Wed, Nov 11, 2026 | $952,180 | -6.68% | 2850 |
| Name | Character |
|---|---|
| Joel Smallbone | Jeremiah Clem |
| Beth Easdown | Lady Elizabeth Balfour |
| Kenneth Barry | Gother |
| Charles Esten | Lord Balfour |
| Iain Glen | Major John Ambrose |
| India Brown | Emmaline |
| Lucas Leach | Benjamin Clem |
| Melora Hardin | Rachel Clem |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mother's Day | Apr 28, 2016 | $25M |
| Allied | Feb 12, 2016 | $106M |
| Merrily We Roll Along | Dec 4, 2025 | $0 |
| Fly Me to the Moon | Jul 10, 2024 | $100M |
| The Promise | Dec 2, 2016 | $90M |
| Young Washington | Jul 2, 2026 | $20M |
| Yesterday | Jun 26, 2019 | $26M |
| Mamma Mia! Here We Go Again | Jul 9, 2018 | $75M |
Week 1: $12.1M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$46.39K (0.38%)
Investor Share: $16.24K
Budget: $N/A
P&A: $N/A
Gross: $12.15M
Net: $7.28M
Costs: $0.00
Profit: $7.28M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.