Movie Information
Domestic Total: 8.22M
Opening Weekend: 4.1M
Legs: 2.06
Overview: Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and sophisticated artist Ana, and Chris, a renowned American journalist based in Paris.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Apr 20, 2017 | $200,000 | + 0.00% | |
| Fri, Apr 21, 2017 | $1,441,951 | + 620.98% | 2251 |
| Sat, Apr 22, 2017 | $1,542,888 | + 7.00% | 2251 |
| Sun, Apr 23, 2017 | $1,110,879 | -28.00% | 2251 |
| Mon, Apr 24, 2017 | $446,412 | -59.81% | 2251 |
| Tue, Apr 25, 2017 | $455,340 | + 2.00% | 2251 |
| Wed, Apr 26, 2017 | $364,272 | -20.00% | 2251 |
| Thu, Apr 27, 2017 | $262,276 | -28.00% | 2251 |
| Fri, Apr 28, 2017 | $414,143 | + 57.90% | 2251 |
| Sat, Apr 29, 2017 | $604,649 | + 46.00% | 2251 |
| Sun, Apr 30, 2017 | $424,254 | -29.83% | 2251 |
| Mon, May 1, 2017 | $140,004 | -67.00% | 2251 |
| Tue, May 2, 2017 | $212,806 | + 52.00% | 2251 |
| Wed, May 3, 2017 | $147,102 | -30.88% | 2251 |
| Thu, May 4, 2017 | $122,095 | -17.00% | 2251 |
| Fri, May 5, 2017 | $66,756 | -45.32% | 331 |
| Sat, May 6, 2017 | $120,828 | + 81.00% | 331 |
| Sun, May 7, 2017 | $90,621 | -25.00% | 331 |
| Mon, May 8, 2017 | $29,020 | -67.98% | 331 |
| Tue, May 9, 2017 | $44,401 | + 53.00% | 331 |
| Wed, May 10, 2017 | $32,413 | -27.00% | 331 |
| Thu, May 11, 2017 | $27,551 | -15.00% | 331 |
| Fri, May 12, 2017 | $24,851 | -9.80% | 110 |
| Sat, May 13, 2017 | $33,549 | + 35.00% | 110 |
| Sun, May 14, 2017 | $27,175 | -19.00% | 110 |
| Mon, May 15, 2017 | $8,696 | -68.00% | 110 |
| Tue, May 16, 2017 | $10,957 | + 26.00% | 110 |
| Wed, May 17, 2017 | $9,533 | -13.00% | 110 |
| Thu, May 18, 2017 | $8,866 | -7.00% | 110 |
Cast
| Name | Character |
|---|---|
| Oscar Isaac | Mikael Boghosian |
| Charlotte Le Bon | Ana Khesarian |
| Christian Bale | Chris Myers |
| Daniel Giménez Cacho | Reverend Dikran Antreassian |
| Tom Hollander | Garin |
| Shohreh Aghdashloo | Marta Boghosian |
| Rade Šerbedžija | Stephan |
| Marwan Kenzari | Emre Ogan |
| Angela Sarafyan | Maral |
| Numan Acar | Mustafa |
| Igal Naor | Mesrob |
| Milene Mayer | Yeva |
| Tamer Hassan | Faruk Pasha |
| Alicia Borrachero | Lena |
| Abel Folk | Harut |
| Jean Reno | Admiral Fournet |
| James Cromwell | Henry Morgenthau Sr. |
| Kevork Malikyan | Vartan Boghosian |
| Lucía Zorrilla | Tamar |
| Roman Mitichyan | Van |
| Armin Amiri | Captain Ali |
| Stewart Scudamore | Ismet Ogan |
| Andrew Tarbet | Pastor Merril |
| Aharon Ipalé | Dr. Nazim |
| Shnorhk Sargsyan | Komitas |
| Aaron Neil | Talaat Pasha |
| James Chanos | General Zyniker |
| Anthony Rotsa | Ahmet |
| Michael Stahl-David | Brad |
| Àlex Maruny | Sharp Shooter 2 |
| Diogo Andrade | Turkish Student (Uncredited) |
| Sofia Black-D'Elia | Older Yeva |
| Luis Callejo | Turkish Intelligence Officer |
| Julián Villagrán | Armenian Soldier |
| Alain Hernández | Turkish Telegraph Officer |
| Vic Tablian | Cattle Car Man |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Race | Feb 19, 2016 | $5M |
| The 33 | Aug 6, 2015 | $25M |
| Mother's Day | Apr 28, 2016 | $25M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| Southside with You | Aug 26, 2016 | $2M |
| The Light Between Oceans | Sep 2, 2016 | $20M |
| Bridge of Spies | Oct 15, 2015 | $40M |
| Allied | Feb 12, 2016 | $106M |
Profitability Breakdown
Domestic
Week 1: $5.56M
Week 2: $2.21M
Investor Share: $1.21M
Week 3+: $657.31K
Investor Share: $328.66K
International
$2.33M (21.64%)
Investor Share: $814.5K
Costs
Budget: $90M
P&A: $90M
Breakdown
Gross: $10.55M
Net: $5.69M
Costs: $180M
Profit
Profit: $-174.31M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
