
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Captured during Billie Eilish's sold-out world tour, a concert experience from one of the most celebrated and successful artists of her generation, presented in immersive 3D.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Billie Eilish | Self |
| James Cameron | Self |
| FINNEAS | Self |
| Maggie Baird | Self |
| Charli xcx | Self (archive footage) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Springsteen: Deliver Me from Nowhere | Oct 22, 2025 | $55M |
| Respect | Aug 12, 2021 | $55M |
| Kevin Hart: What Now? | Oct 14, 2016 | $10M |
| After Death | Oct 26, 2023 | $40M |
| Death of a Nation | Aug 3, 2018 | $6M |
| Am I Racist? | Sep 13, 2024 | $3M |
| Summer of Soul (...Or, When the Revolution Could Not Be Televised) | Jul 2, 2021 | $0 |
| Bob Marley: One Love | Feb 14, 2024 | $70M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $65M
P&A: $65M
Gross: $0.00
Net: $0.00
Costs: $130M
Profit: $-130M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.