Respect Poster
Respect (2021)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
Respect Revenue (Daily) (with Theater Counts)

Domestic Total: 24.28M

Opening Weekend: 8.81M

Legs: 2.83

Overview: The rise of Aretha Franklin’s career from a child singing in her father’s church’s choir to her international superstardom.


TMDB

6.8

IMDB

6.6

Metacritic

61

RT Tomato

68

RT Popcorn

95

Letterboxd

3.13

Daily Table

DateRevenue% YDTheaters
Thu, Aug 12, 2021$650,000+ 0.00%
Fri, Aug 13, 2021$3,610,576+ 455.47%3207
Sat, Aug 14, 2021$2,958,909 -18.05%3207
Sun, Aug 15, 2021$2,238,028 -24.36%3207
Mon, Aug 16, 2021$767,073 -65.73%3207
Tue, Aug 17, 2021$1,008,763+ 31.51%3207
Wed, Aug 18, 2021$719,514 -28.67%3207
Thu, Aug 19, 2021$665,849 -7.46%3207
Fri, Aug 20, 2021$1,079,858+ 62.18%3207
Sat, Aug 21, 2021$1,558,659+ 44.34%3207
Sun, Aug 22, 2021$1,122,149 -28.01%3207
Mon, Aug 23, 2021$404,660 -63.94%3207
Tue, Aug 24, 2021$550,510+ 36.04%3207
Wed, Aug 25, 2021$411,806 -25.20%3207
Thu, Aug 26, 2021$377,110 -8.43%3207
Fri, Aug 27, 2021$628,371+ 66.63%2607
Sat, Aug 28, 2021$960,126+ 52.80%2607
Sun, Aug 29, 2021$653,832 -31.90%2607
Mon, Aug 30, 2021$221,638 -66.10%2607
Tue, Aug 31, 2021$300,219+ 35.45%2607
Wed, Sep 1, 2021$223,220 -25.65%2607
Thu, Sep 2, 2021$193,402 -13.36%2607
Fri, Sep 3, 2021$314,647+ 62.69%2107
Sat, Sep 4, 2021$465,815+ 48.04%2107
Sun, Sep 5, 2021$459,252 -1.41%2107
Mon, Sep 6, 2021$395,589 -13.86%2107
Tue, Sep 7, 2021$147,393 -62.74%2107
Wed, Sep 8, 2021$126,338 -14.28%2107
Thu, Sep 9, 2021$124,231 -1.67%2107
Fri, Sep 10, 2021$140,750+ 13.30%1307
Sat, Sep 11, 2021$227,683+ 61.76%1307
Sun, Sep 12, 2021$142,756 -37.30%1307
Mon, Sep 13, 2021$57,618 -59.64%1307
Tue, Sep 14, 2021$77,103+ 33.82%1307
Wed, Sep 15, 2021$67,733 -12.15%1307
Thu, Sep 16, 2021$71,282+ 5.24%1307
Fri, Sep 17, 2021$79,810+ 11.96%807
Sat, Sep 18, 2021$123,070+ 54.20%807
Sun, Sep 19, 2021$79,853 -35.12%807
Mon, Sep 20, 2021$32,858 -58.85%807
Tue, Sep 21, 2021$41,311+ 25.73%807
Wed, Sep 22, 2021$38,529 -6.73%807
Thu, Sep 23, 2021$34,125 -11.43%807
Fri, Sep 24, 2021$41,172+ 20.65%457
Sat, Sep 25, 2021$66,306+ 61.05%457
Sun, Sep 26, 2021$41,623 -37.23%457
Mon, Sep 27, 2021$19,236 -53.79%457
Tue, Sep 28, 2021$23,757+ 23.50%457
Wed, Sep 29, 2021$22,260 -6.30%457
Thu, Sep 30, 2021$19,764 -11.21%457
Fri, Oct 1, 2021$16,729 -15.36%137
Sat, Oct 2, 2021$28,262+ 68.94%137
Sun, Oct 3, 2021$15,522 -45.08%137
Mon, Oct 4, 2021$5,728 -63.10%137
Tue, Oct 5, 2021$6,207+ 8.36%137
Wed, Oct 6, 2021$7,192+ 15.87%137
Thu, Oct 7, 2021$7,681+ 6.80%137
Fri, Oct 8, 2021$6,301 -17.97%67
Sat, Oct 9, 2021$9,335+ 48.15%67
Sun, Oct 10, 2021$6,085 -34.82%67
Mon, Oct 11, 2021$3,681 -39.51%67
Tue, Oct 12, 2021$2,220 -39.69%67
Wed, Oct 13, 2021$3,429+ 54.46%67
Thu, Oct 14, 2021$2,543 -25.84%67
Fri, Oct 15, 2021$4,396+ 72.87%45
Sat, Oct 16, 2021$7,421+ 68.81%45
Sun, Oct 17, 2021$3,514 -52.65%45
Mon, Oct 18, 2021$1,201 -65.82%45
Tue, Oct 19, 2021$1,149 -4.33%45
Wed, Oct 20, 2021$2,189+ 90.51%45
Thu, Oct 21, 2021$1,478 -32.48%45
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Operation FinaleAug 29, 2018$24M
All Eyez on MeJun 12, 2017$40M
Eddie the EagleFeb 25, 2016$23M
HarrietNov 1, 2019$17M
ChappaquiddickApr 6, 2018$34M
RaceFeb 19, 2016$5M
Straight Outta ComptonAug 11, 2015$28M
The Current WarFeb 1, 2018$30M
Loading percent ranks...

Profitability Breakdown

Domestic

Week 1: $11.95M

Investor Share: $7.17M

Week 2: $5.79M

Investor Share: $3.19M

Week 3+: $7.18M

Investor Share: $3.59M

International

$8.6M (25.65%)

Investor Share: $3.01M

Costs

Budget: $55M


P&A: $55M

Breakdown

Gross: $32.88M


Net: $16.96M


Costs: $110M

Profit

Profit: $-93.04M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies