Movie Information
Domestic Total: 49.56K
Opening Weekend: 22.14K
Legs: 2.24
Overview: Ophelia comes of age as lady-in-waiting for Queen Gertrude, and her singular spirit captures Hamlet's affections. As lust and betrayal threaten the kingdom, Ophelia finds herself trapped between true love and controlling her own destiny.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 28, 2019 | $6,158 | + 0.00% | 58 |
| Sat, Jun 29, 2019 | $9,183 | + 49.12% | 58 |
| Sun, Jun 30, 2019 | $6,804 | -25.91% | 58 |
| Mon, Jul 1, 2019 | $3,116 | -54.20% | 58 |
| Tue, Jul 2, 2019 | $2,624 | -15.79% | 58 |
| Wed, Jul 3, 2019 | $2,800 | + 6.71% | 58 |
| Thu, Jul 4, 2019 | $3,936 | + 40.57% | 58 |
| Fri, Jul 5, 2019 | $2,832 | -28.05% | 27 |
| Sat, Jul 6, 2019 | $3,162 | + 11.65% | 27 |
| Sun, Jul 7, 2019 | $1,642 | -48.07% | 27 |
| Mon, Jul 8, 2019 | $881 | -46.35% | 27 |
| Tue, Jul 9, 2019 | $1,348 | + 53.01% | 27 |
| Wed, Jul 10, 2019 | $1,301 | -3.49% | 27 |
| Thu, Jul 11, 2019 | $1,396 | + 7.30% | 27 |
| Fri, Jul 12, 2019 | $88 | -93.70% | 2 |
| Sat, Jul 13, 2019 | $43 | -51.14% | 2 |
| Sun, Jul 14, 2019 | $91 | + 111.63% | 2 |
| Mon, Jul 15, 2019 | $95 | + 4.40% | 2 |
| Tue, Jul 16, 2019 | $172 | + 81.05% | 2 |
| Wed, Jul 17, 2019 | $132 | -23.26% | 2 |
| Thu, Jul 18, 2019 | $118 | -10.61% | 2 |
| Fri, Jul 19, 2019 | $128 | + 8.47% | 3 |
| Sat, Jul 20, 2019 | $454 | + 254.69% | 3 |
| Sun, Jul 21, 2019 | $175 | -61.45% | 3 |
| Mon, Jul 22, 2019 | $88 | -49.71% | 3 |
| Tue, Jul 23, 2019 | $250 | + 184.09% | 3 |
| Wed, Jul 24, 2019 | $167 | -33.20% | 3 |
| Thu, Jul 25, 2019 | $33 | -80.24% | 3 |
| Fri, Jul 26, 2019 | $36 | + 9.09% | 3 |
| Sat, Jul 27, 2019 | $239 | + 563.89% | 3 |
| Sun, Jul 28, 2019 | $67 | -71.97% | 3 |
Cast
| Name | Character |
|---|---|
| Daisy Ridley | Ophelia |
| Naomi Watts | Queen Gertrude / Mechtild |
| Clive Owen | Claudius |
| George MacKay | Hamlet |
| Tom Felton | Laertes |
| Devon Terrell | Horatio |
| Nathaniel Parker | King Hamlet |
| Dominic Mafham | Polonius |
| Daisy Head | Cristiana |
| Sebastian de Souza | Edmund |
| Mia Quiney | Young Ophelia |
| Calum O'Rourke | Young Laertes |
| Rupesh Tillu | Yorick |
| Jack Cunningham-Nuttall | Young Hamlet |
| Lenka Olšanová | Lady in Waiting |
| Daniela Hirsh | Lady in Waiting |
| Veronika Strapková | Lady in Waiting |
| Issy Stewart | Lady in Waiting |
| Adriana Hercigonja | Lady in Waiting |
| Nhung Hong Dang | Lady in Waiting |
| Angela Nwagbo | Viola |
| Noël Czuczor | Rosencrantz |
| Martin Angerbauer | Guildenstern |
| William Ray Roberts | Weaver |
| Josephine Oniyama | Masked Ball Singer |
| Brian Stewart | Sentinel |
| Anna Rust | Young Mechtild |
| Booda | Village Priest |
| Petr Hynek | Guard |
| Ivo Hanel | King Fortinbras |
| Talia Brizman | Ophelia's Daughter |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Bitter Harvest | Jan 31, 2017 | $20M |
| The Danish Girl | Nov 27, 2015 | $15M |
| On Chesil Beach | Jan 19, 2018 | $746K |
| Wonder Wheel | Dec 1, 2017 | $25M |
| Sing Street | Mar 11, 2016 | $4M |
| Darkest Hour | Nov 22, 2017 | $30M |
| Carol | Nov 20, 2015 | $12M |
| Brooklyn | Oct 20, 2015 | $11M |
Profitability Breakdown
Domestic
Week 1: $34.62K
Week 2: $12.56K
Investor Share: $6.91K
Week 3+: $2.38K
Investor Share: $1.19K
International
$307.15K (86.11%)
Investor Share: $107.5K
Costs
Budget: $12M
P&A: $12M
Breakdown
Gross: $356.71K
Net: $136.37K
Costs: $24M
Profit
Profit: $-23.86M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
