Movie Information
Domestic Total: 221.74K
Opening Weekend: 221.74K
Legs: 1.00
Overview: A rookie police officer willingly takes the last shift at a newly decommissioned police station in an attempt to uncover the mysterious connection between her father's death and a vicious cult.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 31, 2023 | $90,405 | + 0.00% | 249 |
| Sat, Apr 1, 2023 | $76,333 | -15.57% | 249 |
| Sun, Apr 2, 2023 | $55,000 | -27.95% | 249 |
Cast
| Name | Character |
|---|---|
| Jessica Sula | Jessica Loren |
| Candice Coke | Diane |
| Chaney Morrow | John Malum |
| Clarke Wolfe | Dorothea |
| Morgan Lennon | Kitty |
| Valerie Loo | Anna Cole |
| Monroe Cline | Betty |
| Eric Olson | Will Loren |
| Sam Brooks | Officer Price |
| Kevin Wayne | Nate |
| Danielle Reverman | Birdie |
| Natalie Victoria | Marigold |
| Christopher Matthew Spencer | Officer Hudson |
| Britt George | Officer Grip Cohen |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Murder in the Woods | Aug 14, 2017 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| We Need to Do Something | Sep 3, 2021 | $0 |
| The Resort | Apr 30, 2021 | $0 |
| The Call | Oct 23, 2020 | $0 |
| Followed | Jun 19, 2020 | $0 |
| The Mean One | Dec 8, 2022 | $0 |
| Safer at Home | Feb 26, 2021 | $0 |
Profitability Breakdown
Domestic
Week 1: $221.74K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$432.68K (66.12%)
Investor Share: $151.44K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $654.42K
Net: $284.48K
Costs: $0.00
Profit
Profit: $284.48K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
