Movie Information
Domestic Total: 535.24K
Opening Weekend: 152.82K
Legs: 3.50
Overview: Social media influencer, 'DropTheMike', seeks thrills and stardom in the most horrific places. When he’s offered the possibility of a lucrative sponsorship, he takes his online channel to one of the most haunted hotels in America. What begins as a fun challenge accompanied by friends descends into a personal hell, begging the timely question: how far would you go to pursue internet fame?
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
Cast
| Name | Character |
|---|---|
| Matthew Solomon | Mike / "DropTheMike" |
| Tim Drier | Chris |
| Kelsey Griswold | Jess |
| Caitlin Grace | Nic (as Caitlin Utting) |
| John Savage | Wallace Fleischer |
| Sam Valentine | Danni |
| Christopher Ross Martin | Tony the Security Guard |
| Sarah Chang | Meghan Kim |
| Blanca Blanco | Beth (Nic's Step Mother) |
| Kate Romero | Nic's Mom / Mrs.Eply |
| Brianna McClellan | Group HW Costume #3 |
| Terumi Shimazu | Meghan Kim's Mother |
| Thaddeaus Ek | Ghost Boy |
| Karan Sagoo | Masked Evil Presence / unstable drug dealer |
| Francheska Savage | Dead Female Security Guard |
| Ivo Buhles | Tourist Checking In |
| David Nesler | Terrible Tyler |
| Alexis Queen | Group HW Costume #2 |
| Rachel Razon | Group HW Costume #1 |
| Santiago Postigo | Maintenance Man |
| Alex Robert Holmes | Headless Man |
| Ethan Alexander | David Olmos / Hacksaw Man |
| Sonia Lopez Pizarro | Homeless Woman |
| Doreen Fox Loughlin | Shirley |
| India Adams | Joyce |
| Todd Klick | Squeegee Man |
| Stephen Jenkins | Shady Hotel Guest #1 |
| Bruno Nunez Romagnoli | Shady Hotel Guest #2 |
| JoAnna de Castro | Screaming Maid |
| Evette Murphy | Stitched Woman |
| Travis Clark | Receptionist |
| Patrick Cassa | Couple #1 |
| Isabel Donadio | Couple #2 |
| Steve Merillat | Group Reg Person #1 |
| Jesse Hendrickson | Group Reg Person #2 |
| Adam Lesar | Group Reg Person #3 |
| Thomas Dubitsky | Bloody Man |
| Kari Lane | Bystander |
| Liz Torres | Local 1 |
| Brian Kelly | Local 2 |
| Diego Abelard | Cop 1 |
| George Richard Justice | Cop 2 |
| Leo Seo | Cop 3 |
| Mark Oby Brown | Cop 4 |
| David Krater | HW Costume Crowd |
| Ty Cummings | HW Costume Diner #1 |
| Vincent Celio | HW Costume Diner #2 |
| Emily Witkop | HW Costume Diner #3 |
| Monie Szeto | HW Costume Diner #4 |
| Brandon Moten | Group HW Costume #4 |
| Scott Javor | Group HW Costume #5 |
| Krystal Beyer | Drunk Millenial #1 |
| Michael Dubay | Drunk Millenial #2 |
| Maria Granberg | Drunk Millenial #3 |
| Christopher Denton | Person Walking in Lobby |
| Wynn Roberts | Drunk Person #1 |
| Ray Holdridge | Drunk Person #2 |
| Ashley Burgess | Drunk Person #3 |
| Ken Nguyen | Shadow #1 |
| Vincent Nguyen | Shadow #2 |
| Lance Nguyen | Shadow #3 |
| Gregory Adkins | Freddie Lemar |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Green Room | Apr 15, 2016 | $5M |
| The Blackcoat's Daughter | Mar 31, 2017 | $0 |
| Death House | Feb 28, 2018 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Murder in the Woods | Aug 14, 2017 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
Profitability Breakdown
Domestic
Week 1: $246.7K
Week 2: $149.88K
Investor Share: $82.44K
Week 3+: $138.65K
Investor Share: $69.33K
International
$8.2K (1.51%)
Investor Share: $2.87K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $543.44K
Net: $302.65K
Costs: $0.00
Profit
Profit: $302.65K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.