Domestic Total: 13.59K
Opening Weekend: 6.01K
Legs: 2.26
Overview: Seeking shelter from a storm, a family finds themselves trapped in a bathroom for days with no sign of rescue and untold evils lurking just beyond the walls.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 3, 2021 | $1,979 | + 0.00% | 27 |
| Sat, Sep 4, 2021 | $2,035 | + 2.83% | 27 |
| Sun, Sep 5, 2021 | $1,995 | -1.97% | 27 |
| Mon, Sep 6, 2021 | $1,717 | -13.93% | 27 |
| Tue, Sep 7, 2021 | $1,135 | -33.90% | 27 |
| Wed, Sep 8, 2021 | $744 | -34.45% | 27 |
| Thu, Sep 9, 2021 | $865 | + 16.26% | 27 |
| Fri, Sep 10, 2021 | $758 | -12.37% | 14 |
| Sat, Sep 11, 2021 | $712 | -6.07% | 14 |
| Sun, Sep 12, 2021 | $414 | -41.85% | 14 |
| Mon, Sep 13, 2021 | $270 | -34.78% | 14 |
| Tue, Sep 14, 2021 | $147 | -45.56% | 14 |
| Wed, Sep 15, 2021 | $415 | + 182.31% | 14 |
| Thu, Sep 16, 2021 | $403 | -2.89% | 14 |
| Name | Character |
|---|---|
| Sierra McCormick | Melissa |
| Vinessa Shaw | Diane |
| Pat Healy | Robert |
| John James Cronin | Bobby |
| Lisette Olivera | Amy |
| Ozzy Osbourne | Good Boy (voice) |
| Logan Kearney | Joe |
| Dan John Miller | The Voice At The Door (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Resort | Apr 30, 2021 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| The Call | Oct 23, 2020 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| The Blackcoat's Daughter | Mar 31, 2017 | $0 |
| The Vigil | Jul 1, 2020 | $0 |
| Followed | Jun 19, 2020 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
Week 1: $10.47K
Week 2: $3.12K
Investor Share: $1.72K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $13.59K
Net: $8K
Costs: $0.00
Profit: $8K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.