Domestic Total: 512.37K
Opening Weekend: 138.24K
Legs: 3.62
Overview: In the fall of 1987, a group of small-town friends must survive the night in the home of a sinister couple after a tragic accident occurs. Needing only to make a single phone call, the request seems horribly ordinary until they realize that this call could change their life…or end it.
| Name | Character |
|---|---|
| Lin Shaye | Edith Cranston |
| Tobin Bell | Edward Cranston |
| Chester Rushing | Chris |
| Erin Sanders | Tonya |
| Judd Lormand | Harliss |
| Mike C. Manning | Zack |
| Sloane Morgan Siegel | Brett |
| Randy J. Goodwin | Principal |
| Brooklyn Anne Miller | Laura |
| Leah Contreras | Young Tonya |
| Toby Leeder | Young Zack |
| Aidan Bertola | Young Brett |
| Madeleine Wade | Angela |
| Ciara Hanna | Sarah |
| Fred Stoller | Gruff Man |
| Randy Charach | Mr. Johnson |
| Charlotte Horton | Monica |
| Marc Brewer | Student 2 |
| Alan Donnes | Carnival Attendant |
| Jeff M Hill | Strong Man |
| Anjelino Chabrieay | Fortune Teller |
| Polina Uzzle | Demoness |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Lodge | Jan 16, 2020 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| Green Room | Apr 15, 2016 | $5M |
| Death House | Feb 28, 2018 | $0 |
| Follow Me | Jul 3, 2020 | $0 |
| Followed | Jun 19, 2020 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| Murder in the Woods | Aug 14, 2017 | $0 |
Week 1: $188.12K
Week 2: $115.83K
Investor Share: $63.71K
Week 3+: $208.43K
Investor Share: $104.21K
$947.35K (64.90%)
Investor Share: $331.57K
Budget: $N/A
P&A: $N/A
Gross: $1.46M
Net: $612.36K
Costs: $0.00
Profit: $612.36K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.