Domestic Total: 2.85M
Opening Weekend: 1.39M
Legs: 2.05
Overview: The story of a young mother who loses her husband in Afghanistan and struggles to raise their young daughter in his absence.
| Name | Character |
|---|---|
| Lindsay Pulsipher | Amber Hill |
| Jordin Sparks | Bridgette |
| Andrew W. Walker | Cody Jackson |
| LaDainian Tomlinson | Pastor Williams |
| Robin Givens | Karena Williams |
| Makenzie Moss | Bree Hill |
| Kim Delaney | Patti Hill |
| Gary Grubbs | Joe Carter |
| Arthur Cartwright | Mike Nelson |
| Madeline Carroll | Hannah |
| Matthew Derek Davis | Schaefer (as Matthew Davis) |
| Adam Agee | Johnson |
| Liam Matthews | Darren Hill |
| Kaelin Stockwell | N/A |
| Shane Carson | Process server |
| Patrika Darbo | Rosie |
| Ian Van Houten | David |
| Gianna Simone | Monica |
| Ben Browder | Sgt. Price |
| Charles Dillon | Other banker |
| Rick Plummer | Jim Wellington |
| Kevin Yon | Wayne |
| Micah Tyler | Coffee shop singer |
| Gannon Thomas | Cole |
| Cody Coughlin | Himself |
| Jordyn Casey | Executive assistant |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| God's Not Dead: A Light in Darkness | Mar 30, 2018 | $6M |
| Forever My Girl | Jan 26, 2018 | $4M |
| A Dog's Purpose | Jan 19, 2017 | $22M |
| Collateral Beauty | Dec 15, 2016 | $36M |
| A Question of Faith | Sep 29, 2017 | $0 |
| Max | Jun 26, 2015 | $20M |
| God's Not Dead 2 | Apr 1, 2016 | $5M |
| War Room | Aug 28, 2015 | $3M |
Week 1: $1.97M
Week 2: $654.59K
Investor Share: $360.02K
Week 3+: $221.43K
Investor Share: $110.72K
$1.98K (0.07%)
Investor Share: $691.60
Budget: $N/A
P&A: $N/A
Gross: $2.85M
Net: $1.65M
Costs: $0.00
Profit: $1.65M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.