Domestic Total: 3.77M
Opening Weekend: 0.00
Legs: 1.00
Overview: As Batman hunts for the escaped Joker, the Clown Prince of Crime attacks the Gordon family to prove a diabolical point mirroring his own fall into madness.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jul 25, 2016 | $3,175,000 | + 0.00% | 1325 |
| Tue, Jul 26, 2016 | $600,000 | -81.10% | 1325 |
| Name | Character |
|---|---|
| Kevin Conroy | Bruce Wayne / Batman (voice) |
| Mark Hamill | Jack Napier / The Joker / Red Hood (voice) |
| Tara Strong | Barbara Gordon / Batgirl (voice) |
| Ray Wise | Commissioner James Gordon (voice) |
| John DiMaggio | Francesco (voice) |
| Robin Atkin Downes | Detective Harvey Bullock (voice) |
| Brian George | Alfred Pennyworth (voice) |
| JP Karliak | Reese (voice) |
| Andrew Kishino | Murray (voice) |
| Nolan North | Mitch (voice) |
| Maury Sterling | Paris (voice) |
| Fred Tatasciore | Carny Owner (voice) |
| Bruce Timm | Patrolman (voice) |
| Anna Vocino | Jeannie (voice) |
| Kari Wahlgren | Call Girl (voice) |
| Rick D. Wasserman | Maroni (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Peanuts Movie | Nov 5, 2015 | $99M |
| Black Mass | Sep 17, 2015 | $53M |
| Dope | Jun 19, 2015 | $7M |
| X-Men: Apocalypse | May 18, 2016 | $178M |
| Hitman: Agent 47 | Aug 20, 2015 | $35M |
| Criminal Activities | Nov 20, 2015 | $7M |
| Fantastic Four | Aug 5, 2015 | $120M |
| Money Monster | May 12, 2016 | $27M |
Week 1: $3.77M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$586.04K (13.44%)
Investor Share: $205.11K
Budget: $4M
P&A: $4M
Gross: $4.36M
Net: $2.47M
Costs: $7M
Profit: $-4.53M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.