Domestic Total: 273.86K
Opening Weekend: 150.03K
Legs: 1.83
Overview: Three intersex individuals overcame shame, secrecy and unauthorized surgery throughout their childhoods to enjoy successful adulthoods, choosing to ignore medical advice to conceal their bodies and coming out as who they truly are.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 30, 2023 | $47,615 | + 0.00% | 255 |
| Sat, Jul 1, 2023 | $50,130 | + 5.28% | 255 |
| Sun, Jul 2, 2023 | $52,285 | + 4.30% | 255 |
| Mon, Jul 3, 2023 | $16,965 | -67.55% | 255 |
| Tue, Jul 4, 2023 | $15,055 | -11.26% | 255 |
| Wed, Jul 5, 2023 | $11,475 | -23.78% | 255 |
| Thu, Jul 6, 2023 | $10,395 | -9.41% | 255 |
| Fri, Jul 7, 2023 | $5,990 | -42.38% | 255 |
| Sat, Jul 8, 2023 | $38,675 | + 545.66% | 255 |
| Sun, Jul 9, 2023 | $10,330 | -73.29% | 255 |
| Mon, Jul 10, 2023 | $4,535 | -56.10% | 255 |
| Tue, Jul 11, 2023 | $3,340 | -26.35% | 255 |
| Wed, Jul 12, 2023 | $3,340 | + 0.00% | 255 |
| Thu, Jul 13, 2023 | $3,730 | + 11.68% | 255 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Kingmaker | Nov 8, 2019 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| Beba | Jun 24, 2022 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| Marianne & Leonard: Words of Love | Jul 5, 2019 | $0 |
| Whitney | Jul 5, 2018 | $0 |
Week 1: $203.92K
Week 2: $69.94K
Investor Share: $38.47K
Week 3+: $0.00
Investor Share: $0.00
$480.00 (0.17%)
Investor Share: $168.00
Budget: $N/A
P&A: $N/A
Gross: $274.34K
Net: $160.99K
Costs: $0.00
Profit: $160.99K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.