
Domestic Total: 228.15K
Opening Weekend: 20.27K
Legs: 6.07
Overview: The life of Jeremiah Tower, one of the most controversial, outrageous, and influential figures in the history of American gastronomy.
| Name | Character |
|---|---|
| Anthony Bourdain | Himself |
| Martha Stewart | Herself |
| Mario Batali | Himself |
| Tammy Klein | Margaret's Girlfriend |
| Richard Neil | Russian Uncle |
| Francesca De Luca | Margot Fonteyn |
| Shondale Seymour | Margaret Tower |
| Stephen Torres | Himself - Director, Roots of American Food Festival |
| James Villas | Himself - Former Food and Wine Editor, Town and Country Magazine |
| Ruth Reichl | Self - Author / Former Editor-in-Chief, Gourmet Magazine |
| Regina Schrambling | Self - Former New York Times Food Writer |
| John Sanger | Self - Harvard College Friend |
| Jonathan Waxman | Self - Chef / Restaurateur |
| Ken Friedman | Self - Restaurateur |
| Wolfgang Puck | Self - Chef / Restaurateur |
| Jeremiah Tower | Self - Chef / Restaurateur |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Spotlight | Nov 6, 2015 | $20M |
| Life, Animated | Jul 1, 2016 | $0 |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| Under the Sun | Oct 30, 2015 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| He Named Me Malala | Sep 12, 2015 | $0 |
| Batkid Begins | Jun 26, 2015 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
Week 1: $28.66K
Week 2: $54.37K
Investor Share: $29.91K
Week 3+: $145.13K
Investor Share: $72.56K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $228.15K
Net: $119.66K
Costs: $0.00
Profit: $119.66K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.