
Domestic Total: 1.01M
Opening Weekend: 44.94K
Legs: 7.25
Overview: A story of enduring love between Leonard Cohen and his Norwegian muse, Marianne Ihlen. The film follows their relationship from their early days in Greece, a time of "free love" and open marriage, to how their love evolved when Leonard became a successful musician.
| Name | Character |
|---|---|
| Leonard Cohen | Self (archive footage) |
| Marianne Ihlen | Self (archive footage) |
| Judy Collins | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Echo in the Canyon | May 24, 2019 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| Whitney | Jul 5, 2018 | $0 |
Week 1: $67.24K
Week 2: $179.37K
Investor Share: $98.65K
Week 3+: $764.35K
Investor Share: $382.17K
$1.05M (50.90%)
Investor Share: $366.82K
Budget: $N/A
P&A: $N/A
Gross: $2.06M
Net: $887.99K
Costs: $0.00
Profit: $887.99K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.