Domestic Total: 14.45K
Opening Weekend: 4.86K
Legs: 2.46
Overview: A raw, poetic self-portrait in which young, NYC-born Afro-Latina Rebeca “Beba” Huntt stares down historical, societal, and generational trauma.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 24, 2022 | $2,428 | + 0.00% | 3 |
| Sat, Jun 25, 2022 | $1,905 | -21.54% | 3 |
| Sun, Jun 26, 2022 | $529 | -72.23% | 3 |
| Mon, Jun 27, 2022 | $533 | + 0.76% | 3 |
| Tue, Jun 28, 2022 | $376 | -29.46% | 3 |
| Wed, Jun 29, 2022 | $419 | + 11.44% | 3 |
| Thu, Jun 30, 2022 | $384 | -8.35% | 3 |
| Fri, Jul 1, 2022 | $1,532 | + 298.96% | 20 |
| Sat, Jul 2, 2022 | $1,335 | -12.86% | 20 |
| Sun, Jul 3, 2022 | $1,256 | -5.92% | 20 |
| Mon, Jul 4, 2022 | $695 | -44.67% | 20 |
| Fri, Jul 8, 2022 | $706 | + 1.58% | 17 |
| Sat, Jul 9, 2022 | $607 | -14.02% | 17 |
| Sun, Jul 10, 2022 | $504 | -16.97% | 17 |
| Mon, Jul 11, 2022 | $287 | -43.06% | 17 |
| Tue, Jul 12, 2022 | $321 | + 11.85% | 17 |
| Wed, Jul 13, 2022 | $286 | -10.90% | 17 |
| Thu, Jul 14, 2022 | $349 | + 22.03% | 17 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Marianne & Leonard: Words of Love | Jul 5, 2019 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Risk | May 5, 2017 | $0 |
| Whitney | Jul 5, 2018 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
Week 1: $6.57K
Week 2: $6.63K
Investor Share: $3.65K
Week 3+: $1.24K
Investor Share: $621.50
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $14.45K
Net: $8.22K
Costs: $0.00
Profit: $8.22K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.