Domestic Total: 312.79K
Opening Weekend: 47.61K
Legs: 4.68
Overview: From Oscar-winning filmmakers Chai Vasarhelyi and Jimmy Chin, "Wild Life" follows conservationist Kris Tompkins on an epic, decades-spanning love story as wild as the landscapes she dedicated her life to protecting. After falling in love in mid-life, Kris and the outdoorsman and entrepreneur Doug Tompkins left behind the world of the massively successful outdoor brands they'd helped pioneer like Patagonia, The North Face, and Esprit, and turned their attention to a visionary effort to create National Parks throughout Chile and Argentina. "Wild Life" chronicles the highs and lows of their journey to effect the largest private land donation in history.
| Name | Character |
|---|---|
| Kristine Tompkins | Self |
| Rick Ridgeway | Self |
| Jimmy Chin | Self |
| Claudio Alvarado | Self |
| Michelle Bachelet | Self |
| Dago Guzman | Self |
| Edgar Boyles | Self |
| Timmy O'Neill | Self |
| Yvon Chouinard | Self |
| Susie Tompkins Buell | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Free Solo | Sep 28, 2018 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Linda Ronstadt: The Sound of My Voice | Sep 6, 2019 | $0 |
| Becoming Cousteau | Oct 22, 2021 | $0 |
| Fire of Love | Jul 6, 2022 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| Echo in the Canyon | May 24, 2019 | $0 |
| Beba | Jun 24, 2022 | $0 |
Week 1: $75.54K
Week 2: $62.97K
Investor Share: $34.63K
Week 3+: $174.28K
Investor Share: $87.14K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $312.79K
Net: $167.1K
Costs: $0.00
Profit: $167.1K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.