Movie Information
Domestic Total: 19.07M
Opening Weekend: 7M
Legs: 2.87
Overview: A young artist gets stranded in an extensive, immaculate forest in western Ireland, where, after finding shelter, she becomes trapped alongside three strangers, stalked by mysterious creatures each night.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jun 6, 2024 | $1,000,000 | + 0.00% | 3000 |
| Fri, Jun 7, 2024 | $2,903,381 | + 190.34% | 3351 |
| Sat, Jun 8, 2024 | $2,361,744 | -18.66% | 3351 |
| Sun, Jun 9, 2024 | $1,738,412 | -26.39% | 3351 |
| Mon, Jun 10, 2024 | $743,946 | -57.21% | 3351 |
| Tue, Jun 11, 2024 | $976,869 | + 31.31% | 3351 |
| Wed, Jun 12, 2024 | $665,875 | -31.84% | 3351 |
| Thu, Jun 13, 2024 | $610,052 | -8.38% | 3351 |
| Fri, Jun 14, 2024 | $1,104,256 | + 81.01% | 3351 |
| Sat, Jun 15, 2024 | $1,349,346 | + 22.20% | 3351 |
| Sun, Jun 16, 2024 | $1,059,445 | -21.48% | 3351 |
| Mon, Jun 17, 2024 | $504,202 | -52.41% | 3351 |
| Tue, Jun 18, 2024 | $710,482 | + 40.91% | 3351 |
| Wed, Jun 19, 2024 | $680,101 | -4.28% | 3351 |
| Thu, Jun 20, 2024 | $400,170 | -41.16% | 3351 |
| Fri, Jun 21, 2024 | $577,764 | + 44.38% | 2423 |
| Sat, Jun 22, 2024 | $785,774 | + 36.00% | 2423 |
| Sun, Jun 23, 2024 | $536,841 | -31.68% | 2423 |
| Mon, Jun 24, 2024 | $264,702 | -50.69% | 2423 |
| Tue, Jun 25, 2024 | $345,429 | + 30.50% | 2423 |
| Wed, Jun 26, 2024 | $255,584 | -26.01% | 2423 |
| Thu, Jun 27, 2024 | $94,011 | -63.22% | 2423 |
| Fri, Jun 28, 2024 | $91,005 | -3.20% | 571 |
| Sat, Jun 29, 2024 | $104,816 | + 15.18% | 571 |
| Sun, Jun 30, 2024 | $83,605 | -20.24% | 571 |
| Mon, Jul 1, 2024 | $32,436 | -61.20% | 571 |
| Tue, Jul 2, 2024 | $44,239 | + 36.39% | 571 |
| Wed, Jul 3, 2024 | $11,549 | -73.89% | 571 |
| Thu, Jul 4, 2024 | $6,424 | -44.38% | 571 |
| Fri, Jul 5, 2024 | $7,727 | + 20.28% | 50 |
| Sat, Jul 6, 2024 | $8,498 | + 9.98% | 50 |
| Sun, Jul 7, 2024 | $5,508 | -35.18% | 50 |
| Mon, Jul 8, 2024 | $1,527 | -72.28% | 50 |
| Tue, Jul 9, 2024 | $2,497 | + 63.52% | 50 |
| Wed, Jul 10, 2024 | $1,707 | -31.64% | 50 |
| Thu, Jul 11, 2024 | $1,480 | -13.30% | 50 |
Cast
| Name | Character |
|---|---|
| Dakota Fanning | Mina / Lucy |
| Georgina Campbell | Ciara |
| Olwen Fouéré | Madeline |
| Oliver Finnegan | Daniel |
| Alistair Brammer | John |
| John Lynch | Kilmartin |
| Siobhan Hewlett | Mina's Mother |
| Hannah Dargan | Young Mina |
| Emily Dargan | Young Lucy |
| Joel Figueroa | Darwin (voice) |
| Thabile Michelle Hlongwane | Newscaster |
| Anthony Morris | Burke |
| Shane O'Regan | Collin |
| Jim Tighe | Bus Driver |
| Zarima McDermott | University Student |
| Morgan Bailey-Rocks | Younger Boy |
| Christian Bailey-Rocks | Older Brother |
| Éabha Connolly | Little Girl |
| Hannah Howland | Chloe |
| Kya Brame | Georgia |
| Ffion Haf | Daria |
| Shannon Antonia | Tanya |
| Kofi De Graft Jordan | Bobby |
| Charles Camrose | Conor |
| Charlie Mann | Romeo |
| Jacob Greenway | Jordan |
| Andrea Bechis | Dom |
| Cara Steele | Millie |
| Seán T. Ó Meallaigh | Watcher (voice) |
| Diarmuid de Faoite | Watcher 1 |
| Ann Marie Horan | Watcher 2 |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Arrival | Nov 10, 2016 | $47M |
| The Boy | Jan 22, 2016 | $10M |
| The Visit | Sep 10, 2015 | $5M |
| The Unholy | Mar 31, 2021 | $10M |
| Fantasy Island | Feb 12, 2020 | $7M |
| Scary Stories to Tell in the Dark | Aug 8, 2019 | $25M |
| The Boogeyman | May 31, 2023 | $42M |
| Gretel & Hansel | Jan 30, 2020 | $5M |
Profitability Breakdown
Domestic
Week 1: $10.39M
Week 2: $6.02M
Investor Share: $3.31M
Week 3+: $3.66M
Investor Share: $1.83M
International
$13.88M (40.88%)
Investor Share: $4.86M
Costs
Budget: $30M
P&A: $30M
Breakdown
Gross: $32.95M
Net: $16.23M
Costs: $60M
Profit
Profit: $-43.77M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
