Domestic Total: 9.3K
Opening Weekend: 8.06K
Legs: 1.15
Overview: Mindy, a young widow and mother who tries to protect her daughter Alice from a flesh eating monster named Agyar. Mindy has been secretly sacrificing her own life by allowing the creature to feast on her body as she keeps Alice hidden away at her grandmother’s house.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 4, 2024 | $3,040 | + 0.00% | 18 |
| Sat, Oct 5, 2024 | $3,912 | + 28.68% | 18 |
| Sun, Oct 6, 2024 | $1,105 | -71.75% | 18 |
| Mon, Oct 7, 2024 | $264 | -76.11% | 18 |
| Tue, Oct 8, 2024 | $423 | + 60.23% | 18 |
| Wed, Oct 9, 2024 | $389 | -8.04% | 18 |
| Thu, Oct 10, 2024 | $166 | -57.33% | 18 |
| Name | Character |
|---|---|
| Krsy Fox | Mindy Vogel |
| Jon Sklaroff | Agyar |
| Elizabeth Phoenix Caro | Alice Vogel |
| Barbara Crampton | Sonya Whitfield |
| Heather Langenkamp | Ellenor |
| Bonnie Aarons | Mother |
| Chaz Bono | Paul |
| Lyndsi LaRose | Gail |
| Mark Kelly | Burt Holzman |
| Angel Melanson | Adult Alice |
| James A. Janisse | Doug |
| Chelsea Rebecca | Talia |
| Elle Riot Fox | Penny |
| Christopher Alvarenga | Jack Vogel |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| We Need to Do Something | Sep 3, 2021 | $0 |
| The Angry Black Girl and Her Monster | Jun 9, 2023 | $0 |
| The Call | Oct 23, 2020 | $0 |
| The Resort | Apr 30, 2021 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| The Mean One | Dec 8, 2022 | $0 |
| Followed | Jun 19, 2020 | $0 |
| Malibu Horror Story | Oct 20, 2023 | $1M |
Week 1: $9.3K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $9.3K
Net: $5.58K
Costs: $0.00
Profit: $5.58K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.