
Domestic Total: 99.36K
Opening Weekend: 39.45K
Legs: 2.01
Overview: On a fateful San Francisco night in the early '60s, Condor nightclub performer Carol Doda was lowered to the stage on a floating piano, topless. Word spread quickly, setting off a wave of controversy and delight, with raids soon to follow. There was even a trial for the new celebrity. Doda's dry wit and charisma made her an instant sensation of the night club scene: an empowered woman in full control. Or so it seemed.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 22, 2024 | $21,609 | + 0.00% | 4 |
| Sat, Mar 23, 2024 | $14,314 | -33.76% | 4 |
| Sun, Mar 24, 2024 | $3,524 | -75.38% | 4 |
| Mon, Mar 25, 2024 | $1,354 | -61.58% | 4 |
| Tue, Mar 26, 2024 | $2,324 | + 71.64% | 4 |
| Wed, Mar 27, 2024 | $1,530 | -34.17% | 4 |
| Thu, Mar 28, 2024 | $2,156 | + 40.92% | 4 |
| Fri, Mar 29, 2024 | $12,449 | + 477.41% | 24 |
| Sat, Mar 30, 2024 | $13,389 | + 7.55% | 24 |
| Sun, Mar 31, 2024 | $4,703 | -64.87% | 24 |
| Mon, Apr 1, 2024 | $1,676 | -64.36% | 24 |
| Tue, Apr 2, 2024 | $1,942 | + 15.87% | 24 |
| Wed, Apr 3, 2024 | $2,944 | + 51.60% | 24 |
| Thu, Apr 4, 2024 | $1,997 | -32.17% | 24 |
| Fri, Apr 5, 2024 | $4,403 | + 120.48% | 42 |
| Sat, Apr 6, 2024 | $4,916 | + 11.65% | 42 |
| Sun, Apr 7, 2024 | $4,128 | -16.03% | 42 |
| Name | Character |
|---|---|
| Carol Doda | Self (archive footage) |
| Pete Mattioli | Self |
| Benita Mattioli | Self |
| Charles North | Self |
| Philip DerDevanis | Self |
| Leslie Gilton | Self |
| Judy Mamou | Self |
| Jimmy Mamou | Self |
| Jerry Martini | Self |
| Charlie Farrugia | Self |
| George Faulknor | Self |
| Sly Stone | Self (archive footage) |
| Rudi Gernreich | Self (archive footage) |
| Marsha McGovern | Self |
| Pamela Rome | Self |
| Edie Sedgwick | Self (archive footage) |
| Andy Warhol | Self (archive footage) |
| Phil Derdevanis | Self |
| Dina Moore | Self |
| Phil Sinclair | Self |
| Blaze Starr | Self (archive footage) |
| Art Thanash | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Whitney | Jul 5, 2018 | $0 |
| Marianne & Leonard: Words of Love | Jul 5, 2019 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| Beba | Jun 24, 2022 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| The Kingmaker | Nov 8, 2019 | $0 |
Week 1: $46.81K
Week 2: $39.1K
Investor Share: $21.5K
Week 3+: $13.45K
Investor Share: $6.72K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $99.36K
Net: $56.32K
Costs: $0.00
Profit: $56.32K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.