Movie Information
Domestic Total: 66.25K
Opening Weekend: 7.61K
Legs: 5.94
Overview: A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
Cast
| Name | Character |
|---|---|
| Francis Ford Coppola | Self |
| Eleanor Coppola | Self |
| John Milius | Self |
| George Lucas | Self |
| Sam Bottoms | Self |
| Albert Hall | Self |
| Frederic Forrest | Self |
| Laurence Fishburne | Self |
| Dean Tavoularis | Self |
| Fred Roos | Self |
| Martin Sheen | Self |
| Vittorio Storaro | Self |
| Robert Duvall | Self |
| Doug Claybourne | Self |
| Dennis Hopper | Self |
| Marlon Brando | Self |
| Sofia Coppola | Self |
| Tom Sternberg | Self |
| Gian-Carlo Coppola | Self |
| Roman Coppola | Self |
| Monty Cox | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Marianne & Leonard: Words of Love | Jul 5, 2019 | $0 |
| Whitney | Jul 5, 2018 | $0 |
| Beba | Jun 24, 2022 | $0 |
| Gleason | Jul 30, 2016 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
| The B-Side: Elsa Dorfman's Portrait Photography | Jun 30, 2017 | $0 |
| One Child Nation | Mar 29, 2019 | $0 |
| The Kingmaker | Nov 8, 2019 | $0 |
Profitability Breakdown
Domestic
Week 1: $14.24K
Week 2: $13.92K
Investor Share: $7.66K
Week 3+: $38.08K
Investor Share: $19.04K
International
$12.12K (15.47%)
Investor Share: $4.24K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $78.38K
Net: $39.49K
Costs: $0.00
Profit
Profit: $39.49K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
