Movie Information
Domestic Total: 2.51M
Opening Weekend: 80.8K
Legs: 3.20
Overview: During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 13, 2024 | $24,666 | + 0.00% | 7 |
| Sat, Dec 14, 2024 | $33,870 | + 37.31% | 7 |
| Sun, Dec 15, 2024 | $22,266 | -34.26% | 7 |
| Mon, Dec 16, 2024 | $9,647 | -56.67% | 7 |
| Tue, Dec 17, 2024 | $10,733 | + 11.26% | 7 |
| Wed, Dec 18, 2024 | $8,107 | -24.47% | 7 |
| Thu, Dec 19, 2024 | $7,641 | -5.75% | 7 |
| Fri, Dec 20, 2024 | $8,751 | + 14.53% | 7 |
| Sat, Dec 21, 2024 | $15,423 | + 76.24% | 7 |
| Sun, Dec 22, 2024 | $12,544 | -18.67% | 7 |
| Mon, Dec 23, 2024 | $7,744 | -38.27% | 7 |
| Tue, Dec 24, 2024 | $7,150 | -7.67% | 7 |
| Wed, Dec 25, 2024 | $7,976 | + 11.55% | 5 |
| Thu, Dec 26, 2024 | $6,016 | -24.57% | 5 |
| Fri, Dec 27, 2024 | $6,112 | + 1.60% | 5 |
| Sat, Dec 28, 2024 | $8,723 | + 42.72% | 5 |
| Sun, Dec 29, 2024 | $7,927 | -9.13% | 5 |
| Mon, Dec 30, 2024 | $5,990 | -24.44% | 5 |
| Tue, Dec 31, 2024 | $5,865 | -2.09% | 5 |
| Wed, Jan 1, 2025 | $8,939 | + 52.41% | 5 |
| Thu, Jan 2, 2025 | $5,745 | -35.73% | 5 |
| Fri, Jan 3, 2025 | $19,575 | + 240.73% | 13 |
| Sat, Jan 4, 2025 | $24,278 | + 24.03% | 13 |
| Sun, Jan 5, 2025 | $15,849 | -34.72% | 13 |
| Mon, Jan 6, 2025 | $5,796 | -63.43% | 13 |
| Tue, Jan 7, 2025 | $7,984 | + 37.75% | 13 |
| Wed, Jan 8, 2025 | $4,608 | -42.28% | 13 |
| Thu, Jan 9, 2025 | $4,417 | -4.14% | 13 |
| Fri, Jan 10, 2025 | $14,436 | + 226.83% | 20 |
| Sat, Jan 11, 2025 | $27,892 | + 93.21% | 20 |
| Sun, Jan 12, 2025 | $17,870 | -35.93% | 20 |
| Mon, Jan 13, 2025 | $7,279 | -59.27% | 20 |
| Tue, Jan 14, 2025 | $11,943 | + 64.07% | 20 |
| Wed, Jan 15, 2025 | $11,406 | -4.50% | 20 |
| Thu, Jan 16, 2025 | $6,288 | -44.87% | 20 |
| Fri, Jan 17, 2025 | $129,583 | + 1960.80% | 121 |
| Sat, Jan 18, 2025 | $131,197 | + 1.25% | 121 |
| Sun, Jan 19, 2025 | $89,525 | -31.76% | 121 |
| Mon, Jan 20, 2025 | $66,226 | -26.03% | 121 |
| Tue, Jan 21, 2025 | $41,227 | -37.75% | 121 |
| Wed, Jan 22, 2025 | $29,709 | -27.94% | 121 |
| Thu, Jan 23, 2025 | $25,492 | -14.19% | 121 |
| Fri, Jan 24, 2025 | $392,534 | + 1439.83% | 395 |
| Sat, Jan 25, 2025 | $243,701 | -37.92% | 395 |
| Sun, Jan 26, 2025 | $108,829 | -55.34% | 395 |
| Mon, Jan 27, 2025 | $46,942 | -56.87% | 395 |
| Tue, Jan 28, 2025 | $80,530 | + 71.55% | 395 |
| Wed, Jan 29, 2025 | $54,642 | -32.15% | 395 |
| Thu, Jan 30, 2025 | $40,024 | -26.75% | 395 |
| Fri, Jan 31, 2025 | $86,208 | + 115.39% | 398 |
| Sat, Feb 1, 2025 | $148,818 | + 72.63% | 398 |
| Sun, Feb 2, 2025 | $88,610 | -40.46% | 398 |
| Mon, Feb 3, 2025 | $27,707 | -68.73% | 398 |
| Tue, Feb 4, 2025 | $47,376 | + 70.99% | 398 |
| Wed, Feb 5, 2025 | $29,844 | -37.01% | 398 |
| Thu, Feb 6, 2025 | $23,563 | -21.05% | 398 |
| Fri, Feb 7, 2025 | $33,989 | + 44.25% | 202 |
| Sat, Feb 8, 2025 | $56,771 | + 67.03% | 202 |
| Sun, Feb 9, 2025 | $18,581 | -67.27% | 202 |
| Mon, Feb 10, 2025 | $12,924 | -30.45% | 202 |
| Tue, Feb 11, 2025 | $17,766 | + 37.47% | 202 |
| Wed, Feb 12, 2025 | $13,722 | -22.76% | 202 |
| Thu, Feb 13, 2025 | $11,227 | -18.18% | 202 |
Cast
| Name | Character |
|---|---|
| John Magaro | Geoffrey Mason |
| Leonie Benesch | Marianne Gebhardt |
| Peter Sarsgaard | Roone Arledge |
| Ben Chaplin | Marvin Bader |
| Zinedine Soualem | Jacques Lesgards |
| Georgina Rich | Gladys Deist |
| Corey Johnson | Hank Hanson |
| Marcus Rutherford | Carter Jeffrey |
| Daniel Adeosun | Gary Slaughter |
| Benjamin Walker | Peter Jennings |
| Ferdinand Dörfler | Hermann Jäger |
| Solomon Mousley | Roone's Assistant |
| Caroline Ebner | Assistant Editor Judy |
| Daniel Betts | Director Swim Race |
| Leif Eduard Eisenberg | Camera Assistant Ben |
| Sebastian Jehkul | Police Officer |
| Rony Herman | David Berger |
| Jeff Book | Berger's Father |
| Robert Porter Templeton | Director's Assistant |
| Stephen Fraser | Communicator |
| Leon Dragoi | Lighting Technician |
| Doris Meier | Content Assistant |
| Mark Ruppel | Sound Engineer |
| Christine Ulrich | Camera Control Technician |
| Günther Wernhard | Content Manager |
| Antje Westermann | Script Assistant |
| Harry Waterstone | Stage Assistant Larry |
| Andreas Honold | Stage Runner JJ |
| Stefan Mittermaier | VTR Tech Chuck |
| Miguel Abrantes Ostrowski | Hans Klein |
| Kim Hanfland | Ulrike Meyfarth |
| David Iselin | Mark Spitz |
| Nikita Borisov | Werner Lampe |
| Karolina Gabinger | Anneliese Graess |
| Robert Glade | Hans-Dietrich Genscher |
| Immanuel Rahman | Terrorist Issa |
| Paul Böhme | Masked Man / German Athlete |
| Brendan Todd | American Interviewer |
| Dirk Schepanek | ZDF Interviewer |
| Saeid Yazdani | Mohamed Tarabulsi |
| Matthias Schum | Jim McKay Double |
| Stiev Neubert | Tuvia Sokolsky Double |
| Rafael Peña | Translator Double |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Catcher Was a Spy | Jun 22, 2018 | $0 |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| Anthropoid | Aug 12, 2016 | $0 |
| Spotlight | Nov 6, 2015 | $20M |
| The Young Karl Marx | Mar 2, 2017 | $0 |
| A Hidden Life | Aug 27, 2019 | $9M |
| Gotti | Jun 14, 2018 | $10M |
| Resistance | Mar 27, 2020 | $0 |
Profitability Breakdown
Domestic
Week 1: $116.93K
Week 2: $65.6K
Investor Share: $36.08K
Week 3+: $2.33M
Investor Share: $1.16M
International
$240K (8.73%)
Investor Share: $84K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $2.75M
Net: $1.35M
Costs: $0.00
Profit
Profit: $1.35M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
