Domestic Total: 2.96M
Opening Weekend: 1.23M
Legs: 2.40
Overview: In December 1941, Czech soldiers Jozef Gabčík and Jan Kubiš parachute into their occupied homeland to assassinate Nazi officer Reinhard Heydrich.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 12, 2016 | $385,448 | + 0.00% | 452 |
| Sat, Aug 13, 2016 | $502,440 | + 30.35% | 452 |
| Sun, Aug 14, 2016 | $345,628 | -31.21% | 452 |
| Mon, Aug 15, 2016 | $134,716 | -61.02% | 452 |
| Tue, Aug 16, 2016 | $173,501 | + 28.79% | 452 |
| Wed, Aug 17, 2016 | $131,607 | -24.15% | 452 |
| Thu, Aug 18, 2016 | $111,196 | -15.51% | 452 |
| Fri, Aug 19, 2016 | $148,322 | + 33.39% | 441 |
| Sat, Aug 20, 2016 | $247,094 | + 66.59% | 441 |
| Sun, Aug 21, 2016 | $165,073 | -33.19% | 441 |
| Mon, Aug 22, 2016 | $66,970 | -59.43% | 441 |
| Tue, Aug 23, 2016 | $83,482 | + 24.66% | 441 |
| Wed, Aug 24, 2016 | $68,989 | -17.36% | 441 |
| Thu, Aug 25, 2016 | $57,538 | -16.60% | 441 |
| Fri, Aug 26, 2016 | $38,566 | -32.97% | 124 |
| Sat, Aug 27, 2016 | $64,304 | + 66.74% | 124 |
| Sun, Aug 28, 2016 | $40,461 | -37.08% | 124 |
| Mon, Aug 29, 2016 | $14,951 | -63.05% | 124 |
| Tue, Aug 30, 2016 | $17,661 | + 18.13% | 124 |
| Wed, Aug 31, 2016 | $15,436 | -12.60% | 124 |
| Thu, Sep 1, 2016 | $16,727 | + 8.36% | 124 |
| Fri, Sep 2, 2016 | $14,463 | -13.54% | 59 |
| Sat, Sep 3, 2016 | $24,531 | + 69.61% | 59 |
| Sun, Sep 4, 2016 | $19,686 | -19.75% | 59 |
| Mon, Sep 5, 2016 | $16,970 | -13.80% | 59 |
| Tue, Sep 6, 2016 | $6,297 | -62.89% | 59 |
| Wed, Sep 7, 2016 | $5,850 | -7.10% | 59 |
| Thu, Sep 8, 2016 | $5,534 | -5.40% | 59 |
| Fri, Sep 9, 2016 | $4,634 | -16.26% | 37 |
| Sat, Sep 10, 2016 | $9,836 | + 112.26% | 37 |
| Sun, Sep 11, 2016 | $5,140 | -47.74% | 37 |
| Mon, Sep 12, 2016 | $1,297 | -74.77% | 37 |
| Tue, Sep 13, 2016 | $2,219 | + 71.09% | 37 |
| Wed, Sep 14, 2016 | $2,362 | + 6.44% | 37 |
| Thu, Sep 15, 2016 | $2,365 | + 0.13% | 37 |
| Fri, Sep 16, 2016 | $2,208 | -6.64% | 9 |
| Sat, Sep 17, 2016 | $3,774 | + 70.92% | 9 |
| Sun, Sep 18, 2016 | $2,012 | -46.69% | 9 |
| Mon, Sep 19, 2016 | $759 | -62.28% | 9 |
| Tue, Sep 20, 2016 | $1,501 | + 97.76% | 9 |
| Wed, Sep 21, 2016 | $1,081 | -27.98% | 9 |
| Thu, Sep 22, 2016 | $1,001 | -7.40% | 9 |
| Name | Character |
|---|---|
| Jamie Dornan | Jan Kubiš |
| Cillian Murphy | Josef Gabčík |
| Charlotte Le Bon | Marie Kovárníková |
| Anna Geislerová | Lenka Fafková |
| Harry Lloyd | Adolf Opálka |
| Toby Jones | Jan Zelenka |
| Alena Mihulová | Mrs. Moravec |
| Marcin Dorociński | Ladislav Vanék |
| Bill Milner | Ata Moravec |
| Sam Keeley | Josef Bublík |
| Jiří Šimek | Karel Curda |
| Mish Boyko | Jan Hrubý |
| Václav Neužil | Josef Vaclík |
| Andrej Polák | Jaroslav Svarc |
| Sean Mahon | Dr. Eduard |
| Detlef Bothe | Reinhard Heydrich |
| Jan Hájek | Bretislav Bauman |
| Jan Budař | Josef Chalupský |
| Pavel Řezníček | Mr. Moravec |
| Alexander von der Groeben | Hans Muller |
| Hana Frejková | Mrs. Lukesová |
| Roman Zach | Father Petrek |
| Brian Caspe | Antonín |
| Karel Heřmánek | Ignac |
| David Bredin | Klein |
| Patrick Kalupa | Pannwitz |
| Nicolai Borger | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Regression | Oct 1, 2015 | $20M |
| Trumbo | Oct 27, 2015 | $15M |
| Our Kind of Traitor | May 5, 2016 | $4M |
| The Clan | Aug 13, 2015 | $4M |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| Spotlight | Nov 6, 2015 | $20M |
| Chosen | Aug 8, 2016 | $0 |
| Legend | Sep 9, 2015 | $25M |
Week 1: $1.78M
Week 2: $837.47K
Investor Share: $460.61K
Week 3+: $341.63K
Investor Share: $170.81K
$2.3M (43.71%)
Investor Share: $805.38K
Budget: $N/A
P&A: $N/A
Gross: $5.26M
Net: $2.51M
Costs: $0.00
Profit: $2.51M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.