Domestic Total: 13.68K
Opening Weekend: 9.38K
Legs: 1.46
Overview: An assassin on a final assignment in Fuerteventura, to kill a man he has never met. When his target is delayed, he finds himself drawn to the island, people and a ghostly shipwreck. Instead of following protocol he stays. But when the target returns, the world has shifted. Before everything was simple, now nothing is.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 26, 2024 | $3,290 | + 0.00% | 47 |
| Sat, Jan 27, 2024 | $3,947 | + 19.97% | 47 |
| Sun, Jan 28, 2024 | $2,139 | -45.81% | 47 |
| Mon, Jan 29, 2024 | $948 | -55.68% | 47 |
| Tue, Jan 30, 2024 | $1,641 | + 73.10% | 47 |
| Wed, Jan 31, 2024 | $1,139 | -30.59% | 47 |
| Thu, Feb 1, 2024 | $571 | -49.87% | 47 |
| Name | Character |
|---|---|
| Ian McShane | Wilson |
| Nora Arnezeder | Gloria |
| Adam Nagaitis | Ryan |
| Thomas Kretschmann | Thomas |
| Fanny Ardant | Anne |
| Andrés Gertrúdix | Cowboy |
| Oscar Coleman | Max |
| Sabela Arán | Linda |
| Pedro Alberto Galindo | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Card Counter | Sep 3, 2021 | $0 |
| Destroyer | Dec 25, 2018 | $9M |
| Official Secrets | Aug 30, 2019 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Dreamland | Nov 27, 2019 | $0 |
| The Lodge | Jan 16, 2020 | $0 |
| Gone in the Night | Jul 15, 2022 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
Week 1: $13.68K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$1.33K (8.84%)
Investor Share: $464.10
Budget: $N/A
P&A: $N/A
Gross: $15K
Net: $8.67K
Costs: $0.00
Profit: $8.67K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.