Movie Information
Domestic Total: 2.66M
Opening Weekend: 1.04M
Legs: 2.56
Overview: William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 10, 2021 | $422,430 | + 0.00% | 580 |
| Sat, Sep 11, 2021 | $385,285 | -8.79% | 580 |
| Sun, Sep 12, 2021 | $231,865 | -39.82% | 580 |
| Mon, Sep 13, 2021 | $97,580 | -57.92% | 580 |
| Tue, Sep 14, 2021 | $139,800 | + 43.27% | 580 |
| Wed, Sep 15, 2021 | $108,550 | -22.35% | 580 |
| Thu, Sep 16, 2021 | $88,880 | -18.12% | 580 |
| Fri, Sep 17, 2021 | $138,945 | + 56.33% | 584 |
| Sat, Sep 18, 2021 | $176,225 | + 26.83% | 584 |
| Sun, Sep 19, 2021 | $103,390 | -41.33% | 584 |
| Mon, Sep 20, 2021 | $46,545 | -54.98% | 584 |
| Tue, Sep 21, 2021 | $66,505 | + 42.88% | 584 |
| Wed, Sep 22, 2021 | $54,500 | -18.05% | 584 |
| Thu, Sep 23, 2021 | $45,420 | -16.66% | 584 |
| Fri, Sep 24, 2021 | $95,130 | + 109.45% | 739 |
| Sat, Sep 25, 2021 | $122,760 | + 29.04% | 739 |
| Sun, Sep 26, 2021 | $76,965 | -37.30% | 739 |
| Mon, Sep 27, 2021 | $38,580 | -49.87% | 739 |
| Tue, Sep 28, 2021 | $53,560 | + 38.83% | 739 |
| Wed, Sep 29, 2021 | $40,265 | -24.82% | 739 |
| Thu, Sep 30, 2021 | $24,550 | -39.03% | 739 |
| Fri, Oct 1, 2021 | $19,965 | -18.68% | 389 |
| Sat, Oct 2, 2021 | $28,365 | + 42.07% | 389 |
| Sun, Oct 3, 2021 | $19,550 | -31.08% | 389 |
| Mon, Oct 4, 2021 | $7,625 | -61.00% | 389 |
| Tue, Oct 5, 2021 | $11,500 | + 50.82% | 389 |
| Wed, Oct 6, 2021 | $7,580 | -34.09% | 389 |
| Thu, Oct 7, 2021 | $5,535 | -26.98% | 389 |
Cast
| Name | Character |
|---|---|
| Oscar Isaac | William Tell |
| Tiffany Haddish | La Linda |
| Tye Sheridan | Cirk |
| Willem Dafoe | Gordo |
| Alexander Babara | Mr. USA |
| Bobby C. King | Slippery Joe |
| Ekaterina Baker | Sara |
| Bryan Truong | Minnesota |
| Dylan Flashner | Sergeant Hoskins |
| Adrienne Lau | Crystal |
| Joel Michaely | Ronnie |
| Rachel Michiko Whitney | Nancy |
| Muhsin Fliah | Civilian Translator |
| Joseph Singletary | Inmate |
| Kirill Sheynerman | Prison Guard |
| Amia Edwards | Tournament Clerk |
| Britton Webb | Roger Baufort |
| Amye Gousset | Judy Baufort |
| Billy Slaughter | Lackey #1 |
| Shane LeCocq | Lackey #2 |
| Olivia Peck | MP |
| Rob Eubanks | Second Player |
| April Alsbury | Casino Patron (uncredited) |
| Marlon Hayes | Poker Tournament Attendant (uncredited) |
| Alireza Mirmontazeri | Military Guard (uncredited) |
| Fran Robertson | Casino Patron (uncredited) |
| Brittney Souther | Female Prison Guard (uncredited) |
| Kate Lyn Whitaker | News Anchor / Female Soldier (uncredited) |
| Luca De Massis | Prisoner (uncredited) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Cop Car | Jul 8, 2015 | $800K |
| Monsters and Men | Sep 22, 2018 | $0 |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| Thoroughbreds | Mar 9, 2018 | $0 |
| Official Secrets | Aug 30, 2019 | $0 |
| Dreamland | Nov 27, 2019 | $0 |
| The Informer | Aug 30, 2019 | $60M |
| Destroyer | Dec 25, 2018 | $9M |
Profitability Breakdown
Domestic
Week 1: $1.47M
Week 2: $631.53K
Investor Share: $347.34K
Week 3+: $551.93K
Investor Share: $275.96K
International
$1.7M (39.06%)
Investor Share: $596.19K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $4.36M
Net: $2.1M
Costs: $0.00
Profit
Profit: $2.1M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
