Domestic Total: 450.32K
Opening Weekend: 337.46K
Legs: 1.33
Overview: The electrifying true story about an unknown actor with an unshakable belief that he wasn't just meant to write Rocky—he was meant to be Rocky Balboa. Told "no" at every turn, Sylvester Stallone bets everything on himself, holding the line on playing the lead against seemingly impossible odds.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 6, 2026 | $165,619 | + 0.00% | 7 |
| Sat, Nov 7, 2026 | $100,423 | -39.37% | 7 |
| Sun, Nov 8, 2026 | $71,423 | -28.88% | 7 |
| Mon, Nov 9, 2026 | $30,402 | -57.43% | 7 |
| Tue, Nov 10, 2026 | $27,241 | -10.40% | 7 |
| Wed, Nov 11, 2026 | $36,959 | + 35.67% | 7 |
| Thu, Nov 12, 2026 | $18,253 | -50.61% | 7 |
| Name | Character |
|---|---|
| Anthony Ippolito | Sylvester Stallone |
| AnnaSophia Robb | Sasha Czack |
| P.J. Byrne | Irwin Winkler |
| Toby Kebbell | Robert Chartoff |
| Jay Duplass | John Avildsen |
| Tracy Letts | Sandy Maddox |
| Matt Dillon | Frank Stallone Sr. |
| Stephan James | Carl Weathers |
| Kiki Seto | Talia Shire |
| Robert Morgan | Burgess Meredith |
| Saul Stein | Sal |
| Trevor St. John | Grant Bader |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| A Hidden Life | Aug 27, 2019 | $9M |
| Tesla | Aug 14, 2020 | $5M |
| Green Book | Nov 16, 2018 | $23M |
| The Fabelmans | Nov 11, 2022 | $40M |
| The Eyes of Tammy Faye | Sep 17, 2021 | $0 |
| Till | Oct 14, 2022 | $33M |
| Battle of the Sexes | Sep 22, 2017 | $25M |
| The Post | Dec 22, 2017 | $50M |
Week 1: $450.32K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $27M
P&A: $27M
Gross: $450.32K
Net: $270.19K
Costs: $54M
Profit: $-53.73M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.