Domestic Total: 12.6M
Opening Weekend: 518.33K
Legs: 3.47
Overview: The true story of the 1973 tennis match between world number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 22, 2017 | $160,306 | + 0.00% | 21 |
| Sat, Sep 23, 2017 | $222,083 | + 38.54% | 21 |
| Sun, Sep 24, 2017 | $135,943 | -38.79% | 21 |
| Mon, Sep 25, 2017 | $38,179 | -71.92% | 1213 |
| Tue, Sep 26, 2017 | $42,243 | + 10.64% | 1213 |
| Wed, Sep 27, 2017 | $43,739 | + 3.54% | 1213 |
| Thu, Sep 28, 2017 | $34,240 | -21.72% | 1213 |
| Fri, Sep 29, 2017 | $1,106,075 | + 3130.36% | 1213 |
| Sat, Sep 30, 2017 | $1,452,639 | + 31.33% | 1213 |
| Sun, Oct 1, 2017 | $849,880 | -41.49% | 1213 |
| Mon, Oct 2, 2017 | $263,358 | -69.01% | 1213 |
| Tue, Oct 3, 2017 | $379,957 | + 44.27% | 1213 |
| Wed, Oct 4, 2017 | $293,415 | -22.78% | 1213 |
| Thu, Oct 5, 2017 | $255,734 | -12.84% | 1213 |
| Fri, Oct 6, 2017 | $695,001 | + 171.77% | 1822 |
| Sat, Oct 7, 2017 | $1,070,261 | + 53.99% | 1822 |
| Sun, Oct 8, 2017 | $801,956 | -25.07% | 1822 |
| Mon, Oct 9, 2017 | $432,216 | -46.10% | 1822 |
| Tue, Oct 10, 2017 | $295,059 | -31.73% | 1822 |
| Wed, Oct 11, 2017 | $242,109 | -17.95% | 1822 |
| Thu, Oct 12, 2017 | $209,086 | -13.64% | 1822 |
| Fri, Oct 13, 2017 | $390,030 | + 86.54% | 1394 |
| Sat, Oct 14, 2017 | $618,491 | + 58.58% | 1394 |
| Sun, Oct 15, 2017 | $337,486 | -45.43% | 1394 |
| Mon, Oct 16, 2017 | $122,010 | -63.85% | 1394 |
| Tue, Oct 17, 2017 | $148,910 | + 22.05% | 1394 |
| Wed, Oct 18, 2017 | $115,355 | -22.53% | 1394 |
| Thu, Oct 19, 2017 | $111,406 | -3.42% | 1394 |
| Fri, Oct 20, 2017 | $162,607 | + 45.96% | 545 |
| Sat, Oct 21, 2017 | $269,869 | + 65.96% | 545 |
| Sun, Oct 22, 2017 | $154,287 | -42.83% | 545 |
| Mon, Oct 23, 2017 | $60,213 | -60.97% | 545 |
| Tue, Oct 24, 2017 | $70,156 | + 16.51% | 545 |
| Wed, Oct 25, 2017 | $59,307 | -15.46% | 545 |
| Thu, Oct 26, 2017 | $56,207 | -5.23% | 545 |
| Fri, Oct 27, 2017 | $87,147 | + 55.05% | 291 |
| Sat, Oct 28, 2017 | $141,535 | + 62.41% | 291 |
| Sun, Oct 29, 2017 | $93,095 | -34.22% | 291 |
| Mon, Oct 30, 2017 | $28,068 | -69.85% | 291 |
| Tue, Oct 31, 2017 | $32,878 | + 17.14% | 291 |
| Wed, Nov 1, 2017 | $23,511 | -28.49% | 270 |
| Thu, Nov 2, 2017 | $26,399 | + 12.28% | 270 |
| Fri, Nov 3, 2017 | $48,860 | + 85.08% | 158 |
| Sat, Nov 4, 2017 | $88,168 | + 80.45% | 158 |
| Sun, Nov 5, 2017 | $49,274 | -44.11% | 158 |
| Mon, Nov 6, 2017 | $15,232 | -69.09% | 158 |
| Tue, Nov 7, 2017 | $19,418 | + 27.48% | 158 |
| Wed, Nov 8, 2017 | $16,702 | -13.99% | 158 |
| Thu, Nov 9, 2017 | $14,961 | -10.42% | 158 |
| Fri, Nov 10, 2017 | $29,549 | + 97.51% | 103 |
| Sat, Nov 11, 2017 | $47,723 | + 61.50% | 103 |
| Sun, Nov 12, 2017 | $22,778 | -52.27% | 103 |
| Mon, Nov 13, 2017 | $7,371 | -67.64% | 103 |
| Tue, Nov 14, 2017 | $7,959 | + 7.98% | 103 |
| Wed, Nov 15, 2017 | $8,480 | + 6.55% | 103 |
| Thu, Nov 16, 2017 | $8,665 | + 2.18% | 103 |
| Fri, Nov 17, 2017 | $9,950 | + 14.83% | 46 |
| Sat, Nov 18, 2017 | $15,536 | + 56.14% | 46 |
| Sun, Nov 19, 2017 | $9,835 | -36.70% | 46 |
| Mon, Nov 20, 2017 | $3,216 | -67.30% | 46 |
| Tue, Nov 21, 2017 | $5,128 | + 59.45% | 46 |
| Wed, Nov 22, 2017 | $3,410 | -33.50% | 32 |
| Thu, Nov 23, 2017 | $3,725 | + 9.24% | 32 |
| Fri, Nov 24, 2017 | $6,333 | + 70.01% | 27 |
| Sat, Nov 25, 2017 | $9,048 | + 42.87% | 27 |
| Sun, Nov 26, 2017 | $5,145 | -43.14% | 27 |
| Mon, Nov 27, 2017 | $2,601 | -49.45% | 27 |
| Tue, Nov 28, 2017 | $2,568 | -1.27% | 27 |
| Wed, Nov 29, 2017 | $2,309 | -10.09% | 27 |
| Thu, Nov 30, 2017 | $2,567 | + 11.17% | 27 |
| Name | Character |
|---|---|
| Emma Stone | Billie Jean King |
| Steve Carell | Bobby Riggs |
| Andrea Riseborough | Marilyn Barnett |
| Sarah Silverman | Gladys Heldman |
| Bill Pullman | Jack Kramer |
| Elisabeth Shue | Priscilla Riggs |
| Alan Cumming | Ted Tinling |
| Austin Stowell | Larry King |
| Eric Christian Olsen | Lornie Kuhle |
| Natalie Morales | Rosie Casals |
| Lewis Pullman | Larry Riggs |
| Jessica McNamee | Margaret Court |
| Martha MacIsaac | Jane 'Peaches' Bartkowicz |
| Wallace Langham | Henry |
| Mark Harelik | Hank Greenberg |
| Fred Armisen | Rheo Blair |
| Chris Parnell | DJ |
| John C. McGinley | Herb |
| Mickey Sumner | Valerie Ziegenfuss |
| Bridey Elliott | Julie Heldman |
| James Mackay | Barry Court |
| Tim Ransom | Jerry Perenchio |
| Frank Lui Geo | Bobby Zealot |
| Chip Chinery | Roone Arledge |
| Cooper J. Friedman | Bobby Riggs Jr. |
| Enuka Okuma | Bonny |
| Agnes Albright | Dana |
| Bob Stephenson | Bobby's Publicist |
| Nelson Franklin | TV Reporter |
| Amy Holt | Woman #1 |
| Tom Kenny | Bob Sanders |
| Dinka Dzubur | Sports Reporter |
| Lauren Kline | Nancy Richey |
| Fidan Manashirova | Judy Tegart Dalton |
| Ashley Weinhold | Kristy Pigeon |
| Kaitlyn Christian | Kerry Melville Reid |
| Doug Dean | Jack Desmond |
| Jamey Sheridan | Ken Rosewall |
| Matt Malloy | Riggs' Therapist |
| Bill Blair | Sports Reporter / Fan (uncredited) |
| Eli Jane | Dancer (uncredited) |
| Karen Baxter | Mother of the Bride (uncredited) |
| Craig Reed | Hardware Store Manager |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| A United Kingdom | Nov 25, 2016 | $14M |
| Victoria & Abdul | Sep 13, 2017 | $22M |
| Steve Jobs | Oct 9, 2015 | $30M |
| Hidden Figures | Dec 10, 2016 | $25M |
| Elvis & Nixon | Mar 22, 2016 | $5M |
| Detroit | Jul 28, 2017 | $34M |
| Brooklyn | Oct 20, 2015 | $11M |
| Gifted | Apr 7, 2017 | $7M |
Week 1: $676.73K
Week 2: $4.6M
Investor Share: $2.53M
Week 3+: $7.32M
Investor Share: $3.66M
$5.81M (31.55%)
Investor Share: $2.03M
Budget: $25M
P&A: $25M
Gross: $18.41M
Net: $8.63M
Costs: $50M
Profit: $-41.37M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.