Domestic Total: 455.7K
Opening Weekend: 300.31K
Legs: 1.52
Overview: Inseparable best friends AJ and Moose decide to run the local pool's snack shack after their plan to sell home-brewed beer goes down the drain. Things take a turn when they meet Brooke, an effortlessly cool lifeguard who puts their big plans, and friendship, at risk.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 15, 2024 | $168,655 | + 0.00% | 437 |
| Sat, Mar 16, 2024 | $78,605 | -53.39% | 437 |
| Sun, Mar 17, 2024 | $53,054 | -32.51% | 437 |
| Mon, Mar 18, 2024 | $27,265 | -48.61% | 437 |
| Tue, Mar 19, 2024 | $37,003 | + 35.72% | 437 |
| Wed, Mar 20, 2024 | $26,924 | -27.24% | 437 |
| Thu, Mar 21, 2024 | $14,166 | -47.39% | 437 |
| Fri, Mar 22, 2024 | $7,525 | -46.88% | 145 |
| Sat, Mar 23, 2024 | $13,568 | + 80.31% | 145 |
| Sun, Mar 24, 2024 | $10,320 | -23.94% | 145 |
| Mon, Mar 25, 2024 | $4,639 | -55.05% | 145 |
| Tue, Mar 26, 2024 | $6,572 | + 41.67% | 145 |
| Wed, Mar 27, 2024 | $4,936 | -24.89% | 145 |
| Thu, Mar 28, 2024 | $2,466 | -50.04% | 145 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| There's Still Tomorrow | Oct 26, 2023 | $9M |
| Compadres | Mar 31, 2016 | $3M |
| Cyrano, My Love | Nov 10, 2018 | $9M |
| Shithouse | Oct 16, 2020 | $80K |
| Problemista | Mar 1, 2024 | $12M |
| The Art of Self-Defense | Jul 12, 2019 | $2M |
| Grandma | Jun 4, 2015 | $600K |
| Paterson | Nov 17, 2016 | $5M |
Week 1: $405.67K
Week 2: $50.03K
Investor Share: $27.51K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $3M
P&A: $3M
Gross: $455.7K
Net: $270.92K
Costs: $6M
Profit: $-5.73M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.