Domestic Total: 180.06K
Opening Weekend: 3.94K
Legs: 2.77
Overview: In postwar Rome, a working-class woman dreams of a better future for herself and her daughter while facing abuse at the hands of her domineering husband. When a mysterious letter arrives, she discovers the courage to change the circumstances of her life. An Italian box office phenomenon and winner of six Italian Academy Awards.
| Name | Character |
|---|---|
| Paola Cortellesi | Delia |
| Valerio Mastandrea | Ivano |
| Romana Maggiora Vergano | Marcella |
| Emanuela Fanelli | Marisa |
| Giorgio Colangeli | Sor Ottorino |
| Vinicio Marchioni | Nino |
| Alessia Barela | Orietta |
| Francesco Centorame | Giulio |
| Raffaele Vannoli | Alvaro |
| Paola Tiziana Cruciani | Sora Franca |
| Yonv Joseph | William |
| Federico Tocci | Mario |
| Priscilla Micol Marino | Sora Giovanna |
| Maria Chiara Orti | Sora Rosa |
| Silvia Salvatori | Sora Elvira |
| Mattia Baldo | Sergio |
| Gianmarco Filippini | Franchino |
| Ilaria Falini | Mamma de Lulli |
| Paolo Zuccari | N/A |
| Flavio Domenici | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Corsage | Jul 7, 2022 | $8M |
| Chhichhore | Sep 5, 2019 | $7M |
| Finding Your Feet | Dec 26, 2017 | $7M |
| Belfast | Nov 12, 2021 | $11M |
| Swimming with Men | Jul 6, 2018 | $0 |
| The Trip to Greece | Jul 2, 2020 | $0 |
| Mandy | Sep 13, 2018 | $6M |
| La Chimera | Oct 12, 2023 | $0 |
Week 1: $24.47K
Week 2: $88.03K
Investor Share: $48.42K
Week 3+: $67.56K
Investor Share: $33.78K
$50.02M (99.64%)
Investor Share: $17.51M
Budget: $9M
P&A: $9M
Gross: $50.21M
Net: $17.61M
Costs: $18M
Profit: $-394.39K (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.