Movie Information
Domestic Total: 206K
Opening Weekend: 131.04K
Legs: 1.57
Overview: Following the events of Dracula, Abraham van Helsing moves his two sons, Max and Rudy, to the US in an attempt to escape their past. It does not work.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jul 11, 2025 | $58,859 | + 0.00% | 470 |
| Sat, Jul 12, 2025 | $41,401 | -29.66% | 470 |
| Sun, Jul 13, 2025 | $30,782 | -25.65% | 470 |
| Mon, Jul 14, 2025 | $20,939 | -31.98% | 470 |
| Tue, Jul 15, 2025 | $25,675 | + 22.62% | 470 |
| Wed, Jul 16, 2025 | $18,936 | -26.25% | 470 |
| Thu, Jul 17, 2025 | $9,403 | -50.34% | 470 |
Cast
| Name | Character |
|---|---|
| Titus Welliver | Abraham |
| Jocelin Donahue | Mina |
| Brady Hepner | Max |
| Judah Mackey | Rudy |
| Aurora Perrineau | Elsie |
| Corteon Moore | Eddie |
| Jonathan Howard | Arthur Holmwood |
| Larry Cedar | Priest |
| Nick Epper | Henry |
| Paul Wong | Survey Captain |
| Fayna Sanchez | Ada |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Carol | Nov 20, 2015 | $12M |
| American Pastoral | Oct 20, 2016 | $10M |
| The Recall | Jun 2, 2017 | $5M |
| The Lodgers | Oct 5, 2017 | $0 |
| Piercing | Jan 3, 2019 | $0 |
| Murder in the Woods | Aug 14, 2017 | $0 |
| The Little Stranger | Aug 30, 2018 | $0 |
| The Wind | May 5, 2018 | $0 |
Profitability Breakdown
Domestic
Week 1: $206K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $206K
Net: $123.6K
Costs: $0.00
Profit
Profit: $123.6K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
