Piercing Poster
Piercing (2019)
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Piercing Revenue (Daily) (with Theater Counts)

Domestic Total: 15.86K

Opening Weekend: 8.75K

Legs: 1.81

Overview: After kissing his wife and baby goodbye for a seemingly normal business trip, Reed checks himself into a hotel room to accomplish something he’s always dreamed of: the perfect murder. As his sinister plans unfold, he soon realizes he might be in over his head with a mysteriously unhinged call girl named Jackie.


TMDB

5.7

IMDB

5.5

Metacritic

63

RT Tomato

71

RT Popcorn

44

Letterboxd

3.08

Daily Table

DateRevenue% YDTheaters
Fri, Feb 1, 2019$2,995+ 0.00%18
Sat, Feb 2, 2019$4,358+ 45.51%18
Sun, Feb 3, 2019$1,399 -67.90%18
Mon, Feb 4, 2019$870 -37.81%18
Tue, Feb 5, 2019$1,120+ 28.74%18
Wed, Feb 6, 2019$1,040 -7.14%18
Thu, Feb 7, 2019$1,027 -1.25%18
Fri, Feb 8, 2019$531 -48.30%3
Sat, Feb 9, 2019$594+ 11.86%3
Sun, Feb 10, 2019$255 -57.07%3
Mon, Feb 11, 2019$457+ 79.22%3
Tue, Feb 12, 2019$233 -49.02%3
Wed, Feb 13, 2019$509+ 118.45%3
Thu, Feb 14, 2019$468 -8.06%3
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
RegressionOct 1, 2015$20M
The Vatican TapesJul 23, 2015$13M
The Blackcoat's DaughterMar 31, 2017$0
The Other Side of the DoorFeb 25, 2016$5M
Green RoomApr 15, 2016$5M
Blood FeastAug 27, 2016$0
Death HouseFeb 28, 2018$0
Murder in the WoodsAug 14, 2017$0
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Profitability Breakdown

Domestic

Week 1: $12.81K

Investor Share: $7.69K

Week 2: $3.05K

Investor Share: $1.68K

Week 3+: $0.00

Investor Share: $0.00

International

$132.88K (89.34%)

Investor Share: $46.51K

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $148.73K


Net: $55.87K


Costs: $0.00

Profit

Profit: $55.87K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies