Movie Information
Domestic Total: 102.05K
Opening Weekend: 47.97K
Legs: 2.12
Overview: In 1977 Recife, Marcelo, a technology expert in his early forties, returns in the midst of Carnaval to reunite with his son and plot a dangerous escape under the ever-watchful eyes of Brazil’s repressive military regime.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Wed, Nov 26, 2025 | $15,593 | + 0.00% | 2 |
| Thu, Nov 27, 2025 | $8,956 | -42.56% | 2 |
| Fri, Nov 28, 2025 | $15,667 | + 74.93% | 2 |
| Sat, Nov 29, 2025 | $16,792 | + 7.18% | 2 |
| Sun, Nov 30, 2025 | $15,509 | -7.64% | 2 |
| Mon, Dec 1, 2025 | $3,870 | -75.05% | 2 |
| Tue, Dec 2, 2025 | $9,136 | + 136.07% | 2 |
| Wed, Dec 3, 2025 | $11,605 | + 27.02% | 2 |
| Thu, Dec 4, 2025 | $4,923 | -57.58% | 2 |
Cast
| Name | Character |
|---|---|
| Wagner Moura | Armando / Marcelo / Adult Fernando |
| Carlos Francisco | Seu Alexandre |
| Tânia Maria | Dona Sebastiana |
| Robério Diógenes | Euclides |
| Roney Villela | Augusto |
| Gabriel Leone | Bobbi |
| Alice Carvalho | Fátima |
| Hermila Guedes | Claudia |
| Isabél Zuaa | Thereza Vitória |
| Maria Fernanda Cândido | Elza |
| Thomás Aquino | Valdemar |
| Laura Lufési | Flavia |
| Isadora Ruppert | Dani |
| Igor de Araújo | Sergio |
| Ítalo Martins | Arlindo |
| Udo Kier | Hans |
| João Vitor Silva | Haroldo |
| Luciano Chirolli | Ghirotti |
| Geane Albuquerque | Elizangêla |
| Fafa Dantas | Das Dores |
| Suzy Lopes | Carmen |
| Gregorio Graziosi | Salvatore |
| Joálisson Cunha | Gas Station Attendant |
| Aline Marta | Dona Zuleika |
| Buda Lira | Anísio |
| Wilson Rabelo | N/A |
| Erivaldo Oliveira | Severino |
| Enzo Nunes | Fernando |
| Márcio De Paula | Police Officer |
| Fabiana Pirro | Doctor Inês |
| Rubens Santos | Natalício |
| Kaiony Venâncio | Vilmar |
| Licínio Januário | Antônio |
| Marcelo Valle | João Carpinteiro |
| Robson Andrade | Clóvis |
| Albert Tenorio | N/A |
| Edilson Silva | Aristeu |
| Nivaldo Nascimento | N/A |
| Cely Farias | N/A |
| Beto Quirino | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Gone in the Night | Jul 15, 2022 | $0 |
| The Accountant | Oct 13, 2016 | $44M |
| Money Monster | May 12, 2016 | $27M |
| Destroyer | Dec 25, 2018 | $9M |
| Emily the Criminal | Aug 12, 2022 | $2M |
| Inside | Mar 9, 2023 | $0 |
| The Outfit | Feb 25, 2022 | $5M |
| Santosh | Jul 17, 2024 | $3M |
Profitability Breakdown
Domestic
Week 1: $85.52K
Week 2: $16.53K
Investor Share: $9.09K
Week 3+: $0.00
Investor Share: $0.00
International
$298.84K (74.54%)
Investor Share: $104.59K
Costs
Budget: $5M
P&A: $5M
Breakdown
Gross: $400.89K
Net: $165K
Costs: $10M
Profit
Profit: $-9.84M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
