
Domestic Total: 68.88K
Opening Weekend: 13.68K
Legs: 4.51
Overview: Dash and his best friend Assaf are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti. But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys' friendship, Dash learns of a cover-up by the administration that puts the entire student body in danger.
| Name | Character |
|---|---|
| Jason Schwartzman | Dash (voice) |
| Lena Dunham | Mary (voice) |
| Reggie Watts | Assaf/Male Newscaster (voice) |
| Maya Rudolph | Verti (voice) |
| Susan Sarandon | Lunch Lady Lorraine (voice) |
| Thomas Jay Ryan | Principal Grimm (voice) |
| Alex Karpovsky | Drake (voice) |
| Louisa Krause | Gretchen (voice) |
| John Cameron Mitchell | Brent Daniels (voice) |
| Matthew Maher | Senior Kyle (voice) |
| Keith Poulson | Senior Craig (voice) |
| Margo Martindale | Mrs. Brinson (voice) |
| Adam Lustick | Benji (voice) |
| Jennifer Kim | Librarian/Female Newscaster (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Miss You Already | Sep 12, 2015 | $0 |
| Hunt for the Wilderpeople | Mar 31, 2016 | $3M |
| The Challenger | Sep 11, 2015 | $0 |
| Chi-Raq | Dec 4, 2015 | $0 |
| Faith of Our Fathers | Jul 1, 2015 | $0 |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| Caged No More | Jan 15, 2016 | $0 |
Week 1: $19.84K
Week 2: $15.04K
Investor Share: $8.27K
Week 3+: $34.01K
Investor Share: $17.01K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $68.88K
Net: $37.18K
Costs: $0.00
Profit: $37.18K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.