Movie Information
Domestic Total: 8.54M
Opening Weekend: 4.42M
Legs: 1.93
Overview: The quiet life of Baker Dill, a fishing boat captain who lives on the isolated Plymouth Island, where he spends his days obsessed with capturing an elusive tuna while fighting his personal demons, is interrupted when someone from his past comes to him searching for help.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 25, 2019 | $1,595,951 | + 0.00% | 2561 |
| Sat, Jan 26, 2019 | $1,764,605 | + 10.57% | 2561 |
| Sun, Jan 27, 2019 | $1,054,847 | -40.22% | 2561 |
| Mon, Jan 28, 2019 | $305,024 | -71.08% | 2561 |
| Tue, Jan 29, 2019 | $514,644 | + 68.72% | 2561 |
| Wed, Jan 30, 2019 | $309,211 | -39.92% | 2561 |
| Thu, Jan 31, 2019 | $291,749 | -5.65% | 2561 |
| Fri, Feb 1, 2019 | $567,972 | + 94.68% | 2561 |
| Sat, Feb 2, 2019 | $832,660 | + 46.60% | 2561 |
| Sun, Feb 3, 2019 | $301,880 | -63.75% | 2561 |
| Mon, Feb 4, 2019 | $180,430 | -40.23% | 2561 |
| Tue, Feb 5, 2019 | $297,722 | + 65.01% | 2561 |
| Wed, Feb 6, 2019 | $184,711 | -37.96% | 2561 |
| Thu, Feb 7, 2019 | $120,208 | -34.92% | 2561 |
| Fri, Feb 8, 2019 | $34,960 | -70.92% | 283 |
| Sat, Feb 9, 2019 | $56,806 | + 62.49% | 283 |
| Sun, Feb 10, 2019 | $29,259 | -48.49% | 283 |
| Mon, Feb 11, 2019 | $14,321 | -51.05% | 283 |
| Tue, Feb 12, 2019 | $19,076 | + 33.20% | 283 |
| Wed, Feb 13, 2019 | $5,789 | -69.65% | 283 |
| Thu, Feb 14, 2019 | $5,697 | -1.59% | 283 |
| Fri, Feb 15, 2019 | $5,610 | -1.53% | 63 |
| Sat, Feb 16, 2019 | $9,737 | + 73.57% | 63 |
| Sun, Feb 17, 2019 | $6,799 | -30.17% | 63 |
| Mon, Feb 18, 2019 | $3,121 | -54.10% | 63 |
| Tue, Feb 19, 2019 | $3,743 | + 19.93% | 63 |
| Wed, Feb 20, 2019 | $2,525 | -32.54% | 63 |
| Thu, Feb 21, 2019 | $3,030 | + 20.00% | 63 |
| Fri, Feb 22, 2019 | $2,327 | -23.20% | 22 |
| Sat, Feb 23, 2019 | $3,920 | + 68.46% | 22 |
| Sun, Feb 24, 2019 | $1,923 | -50.94% | 22 |
| Mon, Feb 25, 2019 | $851 | -55.75% | 22 |
| Tue, Feb 26, 2019 | $2,018 | + 137.13% | 22 |
| Wed, Feb 27, 2019 | $1,328 | -34.19% | 22 |
| Thu, Feb 28, 2019 | $1,207 | -9.11% | 22 |
| Fri, Mar 1, 2019 | $1,454 | + 20.46% | 15 |
| Sat, Mar 2, 2019 | $2,103 | + 44.64% | 15 |
| Sun, Mar 3, 2019 | $1,462 | -30.48% | 15 |
| Mon, Mar 4, 2019 | $492 | -66.35% | 15 |
| Tue, Mar 5, 2019 | $995 | + 102.24% | 15 |
| Wed, Mar 6, 2019 | $790 | -20.60% | 15 |
| Thu, Mar 7, 2019 | $485 | -38.61% | 15 |
Cast
| Name | Character |
|---|---|
| Matthew McConaughey | Baker Dill |
| Anne Hathaway | Karen Zariakas |
| Jason Clarke | Frank Zariakas |
| Diane Lane | Constance |
| Djimon Hounsou | Duke |
| Jeremy Strong | Reid Miller |
| Charlotte Butler | Lois |
| David Butler | Jack |
| Rafael Sayegh | Patrick |
| Michael Richard | Ron |
| Robert Hobbs | Ape |
| Kenneth Fok | Lionel |
| Garion Dowds | Samson |
| John Whiteley | Old Wes |
| Edeen Bhugeloo | Mike |
| Redd Pepper | Plymouth DJ (voice) |
| Gunnar Sizemore | Voice of Patrick (voice) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Acrimony | Mar 30, 2018 | $20M |
| The Accountant | Oct 13, 2016 | $44M |
| mother! | Sep 13, 2017 | $30M |
| No Escape | Aug 26, 2015 | $5M |
| The Girl on the Train | Oct 5, 2016 | $45M |
| Suburbicon | Oct 26, 2017 | $25M |
| Money Monster | May 12, 2016 | $27M |
| The Gift | Jul 31, 2015 | $5M |
Profitability Breakdown
Domestic
Week 1: $5.84M
Week 2: $2.49M
Investor Share: $1.37M
Week 3+: $221.83K
Investor Share: $110.91K
International
$4.46M (34.31%)
Investor Share: $1.56M
Costs
Budget: $25M
P&A: $25M
Breakdown
Gross: $13.01M
Net: $6.54M
Costs: $50M
Profit
Profit: $-43.46M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
