Domestic Total: 1.13K
Opening Weekend: 1.13K
Legs: 1.00
Overview: Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Sun, Dec 29, 2019 | $1,125 | + 0.00% | 2 |
| Name | Character |
|---|---|
| Emily Beecham | Alice |
| Ben Whishaw | Chris |
| Kerry Fox | Bella |
| Kit Connor | Joe |
| David Wilmot | Karl |
| Phénix Brossard | Ric |
| Sebastian Hülk | Ivan |
| Lindsay Duncan | Psychotherapist |
| Jessie Mae Alonzo | Selma |
| Andrew Rajan | Jasper |
| Marie Noel Ntwa Ydjumbwiths | Colleague #3 |
| Goran Kostić | Mr. Simic |
| Yana Yanezic | Mrs. Simic |
| Leanne Best | Mother |
| Phoebe Austen | Girl |
| Janine Duvitski | Lady |
| Neil Menage | Buyer #1 |
| Karik Samuel | Buyer #2 |
| Quinton Arigi | Psychotherapist's Assistant |
| Iggy Hausner | Little Joe's Voice (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Sultan | Jul 6, 2016 | $10M |
| Midnight Special | Feb 18, 2016 | $18M |
| Lean on Pete | Apr 6, 2018 | $8M |
| The Bad Batch | Jun 23, 2017 | $6M |
| Other People | Sep 9, 2016 | $0 |
| Three Peaks | Aug 22, 2017 | $0 |
| High Life | Sep 26, 2018 | $9M |
| The Wandering Earth | Feb 5, 2019 | $48M |
Week 1: $1.13K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$200.91K (99.44%)
Investor Share: $70.32K
Budget: $N/A
P&A: $N/A
Gross: $202.04K
Net: $71K
Costs: $0.00
Profit: $71K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.