Movie Information
Domestic Total: 40.31K
Opening Weekend: 30.25K
Legs: 1.33
Overview: Josh Alexander’s Loudmouth documents the winding road that is Al Sharpton’s life story as an iconic activist and spiritual leader.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 9, 2022 | $17,257 | + 0.00% | 116 |
| Sat, Dec 10, 2022 | $7,111 | -58.79% | 116 |
| Sun, Dec 11, 2022 | $5,886 | -17.23% | 116 |
| Mon, Dec 12, 2022 | $2,021 | -65.66% | 116 |
| Tue, Dec 13, 2022 | $3,247 | + 60.66% | 116 |
| Wed, Dec 14, 2022 | $2,025 | -37.63% | 116 |
| Thu, Dec 15, 2022 | $825 | -59.26% | 116 |
| Fri, Dec 16, 2022 | $35 | -95.76% | 8 |
| Sat, Dec 17, 2022 | $161 | + 360.00% | 8 |
| Sun, Dec 18, 2022 | $180 | + 11.80% | 8 |
| Mon, Dec 19, 2022 | $283 | + 57.22% | 8 |
| Tue, Dec 20, 2022 | $138 | -51.24% | 8 |
| Wed, Dec 21, 2022 | $1,118 | + 710.14% | 8 |
| Thu, Dec 22, 2022 | $21 | -98.12% | 8 |
Cast
| Name | Character |
|---|---|
| Reverend Al Sharpton | Self |
| Jesse Jackson | Self |
| Barack Obama | Self |
| Chuck Schumer | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Served Like a Girl | Nov 8, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Sparks: The Ken Sparks Story | Jan 7, 2022 | $0 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Trophy | Jan 20, 2017 | $0 |
| Citizen K | Dec 13, 2019 | $0 |
Profitability Breakdown
Domestic
Week 1: $38.37K
Week 2: $1.94K
Investor Share: $1.06K
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $40.31K
Net: $24.09K
Costs: $0.00
Profit
Profit: $24.09K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
