
Domestic Total: 16.74K
Opening Weekend: 5.3K
Legs: 3.00
Overview: The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Wed, Aug 31, 2016 | $1,488 | + 0.00% | 1 |
| Thu, Sep 1, 2016 | $926 | -37.77% | 1 |
| Fri, Sep 2, 2016 | $1,758 | + 89.85% | 1 |
| Sat, Sep 3, 2016 | $1,870 | + 6.37% | 2 |
| Sun, Sep 4, 2016 | $1,676 | -10.37% | 2 |
| Mon, Sep 5, 2016 | $1,706 | + 1.79% | 2 |
| Tue, Sep 6, 2016 | $898 | -47.36% | 2 |
| Wed, Sep 7, 2016 | $886 | -1.34% | 1 |
| Thu, Sep 8, 2016 | $752 | -15.12% | 1 |
| Fri, Sep 9, 2016 | $1,342 | + 78.46% | 1 |
| Sat, Sep 10, 2016 | $1,946 | + 45.01% | 1 |
| Sun, Sep 11, 2016 | $1,490 | -23.43% | 1 |
| Name | Character |
|---|---|
| John Berger | Self |
| Tilda Swinton | Self |
| Colin MacCabe | Self |
| Christopher Roth | Self |
| Akshi Singh | Self |
| Ben Lerner | Self |
| Honor Swinton Byrne | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Trophy | Jan 20, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Risk | May 5, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Rat Film | Aug 10, 2016 | $0 |
| The Departure | Apr 21, 2017 | $0 |
| Jeremiah Tower: The Last Magnificent | Jul 29, 2016 | $0 |
Week 1: $10.32K
Week 2: $6.42K
Investor Share: $3.53K
Week 3+: $0.00
Investor Share: $0.00
$32.78K (66.20%)
Investor Share: $11.47K
Budget: $N/A
P&A: $N/A
Gross: $49.52K
Net: $21.19K
Costs: $0.00
Profit: $21.19K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.