Domestic Total: 12.18M
Opening Weekend: 5.53M
Legs: 2.20
Overview: The mobster husbands of three 1978 Hell's Kitchen housewives are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia's matters into their own hands — proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 9, 2019 | $1,776,847 | + 0.00% | 2745 |
| Sat, Aug 10, 2019 | $2,197,545 | + 23.68% | 2745 |
| Sun, Aug 11, 2019 | $1,553,018 | -29.33% | 2745 |
| Mon, Aug 12, 2019 | $578,404 | -62.76% | 2745 |
| Tue, Aug 13, 2019 | $1,060,223 | + 83.30% | 2745 |
| Wed, Aug 14, 2019 | $551,446 | -47.99% | 2745 |
| Thu, Aug 15, 2019 | $449,802 | -18.43% | 2745 |
| Fri, Aug 16, 2019 | $637,395 | + 41.71% | 2745 |
| Sat, Aug 17, 2019 | $934,347 | + 46.59% | 2745 |
| Sun, Aug 18, 2019 | $636,548 | -31.87% | 2745 |
| Mon, Aug 19, 2019 | $230,421 | -63.80% | 2745 |
| Tue, Aug 20, 2019 | $370,175 | + 60.65% | 2745 |
| Wed, Aug 21, 2019 | $191,293 | -48.32% | 2745 |
| Thu, Aug 22, 2019 | $134,827 | -29.52% | 2745 |
| Fri, Aug 23, 2019 | $99,468 | -26.23% | 620 |
| Sat, Aug 24, 2019 | $149,511 | + 50.31% | 620 |
| Sun, Aug 25, 2019 | $93,527 | -37.44% | 620 |
| Mon, Aug 26, 2019 | $37,123 | -60.31% | 620 |
| Tue, Aug 27, 2019 | $64,144 | + 72.79% | 620 |
| Wed, Aug 28, 2019 | $38,171 | -40.49% | 620 |
| Thu, Aug 29, 2019 | $31,251 | -18.13% | 620 |
| Fri, Aug 30, 2019 | $22,573 | -27.77% | 189 |
| Sat, Aug 31, 2019 | $35,586 | + 57.65% | 189 |
| Sun, Sep 1, 2019 | $33,147 | -6.85% | 189 |
| Mon, Sep 2, 2019 | $28,113 | -15.19% | 189 |
| Tue, Sep 3, 2019 | $13,648 | -51.45% | 189 |
| Wed, Sep 4, 2019 | $9,336 | -31.59% | 189 |
| Thu, Sep 5, 2019 | $6,852 | -26.61% | 189 |
| Fri, Sep 6, 2019 | $17,472 | + 154.99% | 75 |
| Sat, Sep 7, 2019 | $33,188 | + 89.95% | 75 |
| Sun, Sep 8, 2019 | $11,132 | -66.46% | 75 |
| Mon, Sep 9, 2019 | $5,311 | -52.29% | 75 |
| Tue, Sep 10, 2019 | $6,823 | + 28.47% | 75 |
| Wed, Sep 11, 2019 | $4,871 | -28.61% | 75 |
| Thu, Sep 12, 2019 | $5,719 | + 17.41% | 75 |
| Fri, Sep 13, 2019 | $13,604 | + 137.87% | 110 |
| Sat, Sep 14, 2019 | $22,142 | + 62.76% | 110 |
| Sun, Sep 15, 2019 | $12,976 | -41.40% | 110 |
| Mon, Sep 16, 2019 | $4,497 | -65.34% | 110 |
| Tue, Sep 17, 2019 | $6,438 | + 43.16% | 110 |
| Wed, Sep 18, 2019 | $4,941 | -23.25% | 110 |
| Thu, Sep 19, 2019 | $4,289 | -13.20% | 110 |
| Fri, Sep 20, 2019 | $8,992 | + 109.65% | 83 |
| Sat, Sep 21, 2019 | $14,107 | + 56.88% | 83 |
| Sun, Sep 22, 2019 | $6,512 | -53.84% | 83 |
| Mon, Sep 23, 2019 | $3,178 | -51.20% | 83 |
| Tue, Sep 24, 2019 | $2,833 | -10.86% | 83 |
| Wed, Sep 25, 2019 | $2,609 | -7.91% | 83 |
| Thu, Sep 26, 2019 | $3,086 | + 18.28% | 83 |
| Fri, Sep 27, 2019 | $3,962 | + 28.39% | 46 |
| Sat, Sep 28, 2019 | $7,012 | + 76.98% | 46 |
| Sun, Sep 29, 2019 | $3,606 | -48.57% | 46 |
| Mon, Sep 30, 2019 | $1,061 | -70.58% | 46 |
| Tue, Oct 1, 2019 | $1,618 | + 52.50% | 46 |
| Wed, Oct 2, 2019 | $1,216 | -24.85% | 46 |
| Thu, Oct 3, 2019 | $2,096 | + 72.37% | 46 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Jane Got a Gun | Dec 31, 2015 | $25M |
| The Nice Guys | May 15, 2016 | $50M |
| Money Monster | May 12, 2016 | $27M |
| Black Mass | Sep 17, 2015 | $53M |
| Cold Pursuit | Feb 7, 2019 | $60M |
| Allied | Feb 12, 2016 | $106M |
| Free State of Jones | Jun 24, 2016 | $50M |
| The Mule | Dec 14, 2018 | $50M |
Week 1: $8.17M
Week 2: $3.14M
Investor Share: $1.72M
Week 3+: $877.74K
Investor Share: $438.87K
$3.6M (22.81%)
Investor Share: $1.26M
Budget: $38M
P&A: $38M
Gross: $15.78M
Net: $8.32M
Costs: $76M
Profit: $-67.68M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.