Domestic Total: 6.9M
Opening Weekend: 3.61M
Legs: 1.90
Overview: A widowed child psychologist lives in an isolated existence in rural New England. When caught in a deadly winter storm, she must find a way to rescue a young boy before he disappears forever.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 11, 2016 | $1,426,945 | + 0.00% | 2058 |
| Sat, Nov 12, 2016 | $1,487,472 | + 4.24% | 2058 |
| Sun, Nov 13, 2016 | $699,150 | -53.00% | 2058 |
| Mon, Nov 14, 2016 | $196,184 | -71.94% | 2058 |
| Tue, Nov 15, 2016 | $282,694 | + 44.10% | 2058 |
| Wed, Nov 16, 2016 | $185,169 | -34.50% | 2058 |
| Thu, Nov 17, 2016 | $159,031 | -14.12% | 2058 |
| Fri, Nov 18, 2016 | $493,925 | + 210.58% | 2006 |
| Sat, Nov 19, 2016 | $717,991 | + 45.36% | 2006 |
| Sun, Nov 20, 2016 | $393,732 | -45.16% | 2006 |
| Mon, Nov 21, 2016 | $207,695 | -47.25% | 2006 |
| Tue, Nov 22, 2016 | $151,140 | -27.23% | 2006 |
| Wed, Nov 23, 2016 | $43,028 | -71.53% | 277 |
| Thu, Nov 24, 2016 | $28,006 | -34.91% | 277 |
| Fri, Nov 25, 2016 | $83,404 | + 197.81% | 277 |
| Sat, Nov 26, 2016 | $102,093 | + 22.41% | 277 |
| Sun, Nov 27, 2016 | $37,158 | -63.60% | 277 |
| Mon, Nov 28, 2016 | $11,301 | -69.59% | 277 |
| Tue, Nov 29, 2016 | $14,650 | + 29.63% | 277 |
| Wed, Nov 30, 2016 | $9,898 | -32.44% | 277 |
| Thu, Dec 1, 2016 | $7,567 | -23.55% | 277 |
| Fri, Dec 2, 2016 | $17,078 | + 125.69% | 121 |
| Sat, Dec 3, 2016 | $31,974 | + 87.22% | 121 |
| Sun, Dec 4, 2016 | $13,240 | -58.59% | 121 |
| Mon, Dec 5, 2016 | $3,720 | -71.90% | 121 |
| Tue, Dec 6, 2016 | $4,743 | + 27.50% | 121 |
| Wed, Dec 7, 2016 | $3,025 | -36.22% | 121 |
| Thu, Dec 8, 2016 | $1,807 | -40.26% | 121 |
| Fri, Dec 9, 2016 | $5,272 | + 191.75% | 53 |
| Sat, Dec 10, 2016 | $11,574 | + 119.54% | 53 |
| Sun, Dec 11, 2016 | $5,064 | -56.25% | 53 |
| Mon, Dec 12, 2016 | $1,051 | -79.25% | 53 |
| Tue, Dec 13, 2016 | $1,405 | + 33.68% | 53 |
| Wed, Dec 14, 2016 | $1,117 | -20.50% | 53 |
| Thu, Dec 15, 2016 | $1,044 | -6.54% | 53 |
| Fri, Dec 16, 2016 | $6,372 | + 510.34% | 78 |
| Sat, Dec 17, 2016 | $10,027 | + 57.36% | 78 |
| Sun, Dec 18, 2016 | $7,903 | -21.18% | 78 |
| Mon, Dec 19, 2016 | $4,610 | -41.67% | 78 |
| Tue, Dec 20, 2016 | $4,072 | -11.67% | 78 |
| Wed, Dec 21, 2016 | $3,389 | -16.77% | 78 |
| Thu, Dec 22, 2016 | $3,321 | -2.01% | 78 |
| Fri, Dec 23, 2016 | $1,063 | -67.99% | 18 |
| Sat, Dec 24, 2016 | $429 | -59.64% | 18 |
| Sun, Dec 25, 2016 | $2,418 | + 463.64% | 18 |
| Mon, Dec 26, 2016 | $1,901 | -21.38% | 18 |
| Tue, Dec 27, 2016 | $1,777 | -6.52% | 18 |
| Wed, Dec 28, 2016 | $1,789 | + 0.68% | 18 |
| Thu, Dec 29, 2016 | $1,591 | -11.07% | 18 |
| Fri, Dec 30, 2016 | $2,532 | + 59.15% | 15 |
| Sat, Dec 31, 2016 | $1,170 | -53.79% | 15 |
| Sun, Jan 1, 2017 | $3,127 | + 167.26% | 15 |
| Mon, Jan 2, 2017 | $2,497 | -20.15% | 15 |
| Name | Character |
|---|---|
| Naomi Watts | Mary Portman |
| Oliver Platt | Dr. Wilson |
| David Cubitt | Doug Hart |
| Jacob Tremblay | Tom Patterson |
| Charlie Heaton | Stephen Portman |
| Crystal Balint | Grace |
| Clémentine Poidatz | Lucy |
| Ellen David | Joan |
| Tim Post | Sheriff |
| Alexandre Bacon | Aaron |
| Peter Outerbridge | Richard |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Perfect Guy | Sep 11, 2015 | $12M |
| The Gallows | Jul 9, 2015 | $100K |
| Triple 9 | Feb 19, 2016 | $20M |
| No Escape | Aug 26, 2015 | $5M |
| London Has Fallen | Mar 2, 2016 | $60M |
| The Accountant | Oct 13, 2016 | $44M |
| The Gift | Jul 31, 2015 | $5M |
| Money Monster | May 12, 2016 | $27M |
Week 1: $4.44M
Week 2: $2.04M
Investor Share: $1.12M
Week 3+: $428.17K
Investor Share: $214.09K
$4.46M (39.26%)
Investor Share: $1.56M
Budget: $10M
P&A: $10M
Gross: $11.36M
Net: $5.56M
Costs: $20M
Profit: $-14.44M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.