Movie Information
Domestic Total: 59.97K
Opening Weekend: 12.78K
Legs: 4.23
Overview: Four adolescent girls each spend their youth in the same farmhouse over the last century. Though separated by decades, resonances between their lives emerge: their desires and distress, secrets and truths, encounters with another’s gaze and defiant gaze in return.
TMDB
IMDB
Metacritic
Daily Table
Cast
| Name | Character |
|---|---|
| Luise Heyer | Christa |
| Lena Urzendowsky | Angelika |
| Claudia Geisler-Bading | Irm |
| Lea Drinda | Erika |
| Hanna Heckt | Alma |
| Laeni Geiseler | Lenka |
| Florian Geißelmann | Rainer |
| Andreas Anke | Albat |
| Susanne Wuest | Emma |
| Gode Benedix | Max |
| Bärbel Schwarz | Berta |
| Lucas Prisor | Hannes |
| Konstantin Lindhorst | Uwe |
| Luzia Oppermann | Trudi |
| Martin Rother | Fritz |
| Filip Schnack | Fritz |
| Ninel Skrzypczyk | Kaya |
| Greta Krämer | Lia |
| Zoë Baier | Nelly |
| Anastasia Cherepakha | Hedda |
| Liane Düsterhöft | Frieda |
| Helena Lüer | Gerti |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Wild Pear Tree | Jun 1, 2018 | $0 |
| Bergman Island | Jul 14, 2021 | $0 |
| Morris from America | Aug 19, 2016 | $0 |
| Corsage | Jul 7, 2022 | $8M |
| On the Beach at Night Alone | Mar 23, 2017 | $0 |
| Undine | Jul 1, 2020 | $0 |
| I Was at Home, But... | Mar 28, 2019 | $0 |
| Three Peaks | Aug 22, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $21.47K
Week 2: $20.02K
Investor Share: $11.01K
Week 3+: $18.48K
Investor Share: $9.24K
International
$4.71M (98.74%)
Investor Share: $1.65M
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $4.77M
Net: $1.68M
Costs: $0.00
Profit
Profit: $1.68M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
