Movie Information
Domestic Total: 637.67K
Opening Weekend: 32.28K
Legs: 2.54
Overview: A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 23, 2022 | $10,417 | + 0.00% | 2 |
| Sat, Dec 24, 2022 | $9,954 | -4.44% | 2 |
| Sun, Dec 25, 2022 | $11,914 | + 19.69% | 2 |
| Mon, Dec 26, 2022 | $6,014 | -49.52% | 2 |
| Tue, Dec 27, 2022 | $3,228 | -46.33% | 2 |
| Wed, Dec 28, 2022 | $4,166 | + 29.06% | 2 |
| Thu, Dec 29, 2022 | $4,671 | + 12.12% | 2 |
| Fri, Jan 6, 2023 | $75,790 | + 1522.56% | 317 |
| Sat, Jan 7, 2023 | $100,648 | + 32.80% | 317 |
| Sun, Jan 8, 2023 | $74,955 | -25.53% | 317 |
| Mon, Jan 9, 2023 | $27,479 | -63.34% | 317 |
| Tue, Jan 10, 2023 | $34,937 | + 27.14% | 317 |
| Wed, Jan 11, 2023 | $33,505 | -4.10% | 317 |
| Thu, Jan 12, 2023 | $30,240 | -9.74% | 317 |
| Fri, Jan 13, 2023 | $22,723 | -24.86% | 202 |
| Sat, Jan 14, 2023 | $37,226 | + 63.83% | 202 |
| Sun, Jan 15, 2023 | $35,256 | -5.29% | 202 |
| Mon, Jan 16, 2023 | $21,759 | -38.28% | 202 |
| Tue, Jan 17, 2023 | $12,236 | -43.77% | 202 |
| Wed, Jan 18, 2023 | $12,659 | + 3.46% | 202 |
| Thu, Jan 19, 2023 | $15,595 | + 23.19% | 202 |
| Fri, Jan 20, 2023 | $8,597 | -44.87% | 70 |
| Sat, Jan 21, 2023 | $14,169 | + 64.81% | 70 |
| Sun, Jan 22, 2023 | $10,901 | -23.06% | 70 |
| Mon, Jan 23, 2023 | $4,570 | -58.08% | 70 |
| Tue, Jan 24, 2023 | $5,065 | + 10.83% | 70 |
| Wed, Jan 25, 2023 | $4,902 | -3.22% | 70 |
| Thu, Jan 26, 2023 | $4,099 | -16.38% | 70 |
Cast
| Name | Character |
|---|---|
| Vicky Krieps | Empress Elisabeth |
| Florian Teichtmeister | Franz Josef |
| Katharina Lorenz | Marie Festetics |
| Jeanne Werner | Ida Ferenczy |
| Alma Hasun | Fanny Feifalik |
| Finnegan Oldfield | Louis Le Prince |
| Manuel Rubey | Ludwig II |
| Aaron Friesz | Rudolf, Crown Prince of Austria |
| Colin Morgan | Bay Middleton |
| Tamás Lengyel | Gyula Andrássy |
| Ivana Urban | Mrs. Andrássy |
| Alexander Pschill | Georg Raab, Painter of the Court |
| Raphael Nicholas | Earl of Spencer |
| Rosa Hajjaj | Valerie |
| Lilly Marie Tschörtner | Marie |
| May Garzon | Lady of Spencer |
| Norman Hacker | Chief Physician Leidesdorf |
| Marlene Hauser | Chambermaid Fini |
| Adrien Papritz | Doctor |
| Oliver Rosskopf | Eugen Ketterl |
| Peter Faerber | Prince of Auersperg |
| Klaus Huhle | Hofarzt von Widerhofer |
| Johanna Mahaffy | Chambermaid Lotti |
| David Oberkogler | Count Latour of Thurmburg |
| Alice Prosser | Anna Nahowski |
| Stefan Puntigam | Otto |
| Resi Reiner | Chambermaid Lisi |
| Raphael von Bargen | Constable Hohenlohe-Schillingfürst |
| Regina Fritsch | Countess of Fürstenberg |
| Johannes Rhomberg | Carl Freiherr von Hasenauer |
| Kajetan Dick | Cajetan Felder |
| Astrid Perz | Nanny Minny |
| Eva Spreitzhofer | Princess Marie of Hohenlohe |
| Stefan Murr | Count Holnstein |
| Nils Arztmann | Young Soldier |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Undine | Jul 1, 2020 | $0 |
| Bitter Harvest | Jan 31, 2017 | $20M |
| By the Sea | Nov 12, 2015 | $10M |
| Cold War | Jun 8, 2018 | $5M |
| Resistance | Mar 27, 2020 | $0 |
| Three Peaks | Aug 22, 2017 | $0 |
| 1982 | Oct 1, 2020 | $0 |
| The Young Karl Marx | Mar 2, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $50.36K
Week 2: $377.55K
Investor Share: $207.65K
Week 3+: $209.76K
Investor Share: $104.88K
International
$1.83M (74.16%)
Investor Share: $640.51K
Costs
Budget: $8M
P&A: $8M
Breakdown
Gross: $2.47M
Net: $983.26K
Costs: $15.16M
Profit
Profit: $-14.18M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
